{"id":11619,"date":"2020-04-04T01:21:58","date_gmt":"2020-04-04T05:21:58","guid":{"rendered":"https:\/\/www.theartguild.org\/?p=11619"},"modified":"2020-04-07T09:35:40","modified_gmt":"2020-04-07T13:35:40","slug":"blind-contour","status":"publish","type":"post","link":"https:\/\/www.theartguild.org\/home-2\/blind-contour","title":{"rendered":"Blind Contour with Marc Isaacs"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.18.7″][\/et_pb_section][et_pb_section fb_built=”1″ specialty=”on” _builder_version=”3.18.7″][et_pb_column type=”2_3″ specialty_columns=”2″ _builder_version=”3.0.47″ parallax__hover=”off” parallax_method__hover=”on” parallax=”off” parallax_method=”on”][et_pb_row_inner _builder_version=”3.18.7″][et_pb_column_inner type=”4_4″ saved_specialty_column_type=”2_3″ _builder_version=”3.0.47″ parallax__hover=”off” parallax_method__hover=”on” parallax=”off” parallax_method=”on”][et_pb_text admin_label=”Text” _builder_version=”3.18.7″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid” saved_tabs=”all”]<\/p>\n

Blind Contour Drawing<\/span><\/strong><\/h2>\n

with Marc Isaacs<\/span><\/strong><\/h2>\n

\u00a0<\/strong><\/p>\n

Blind contour drawing is the best friend to an artist and it often comes before contour drawing, but not necessarily. It should be repeated daily even by the experienced hand as it is great practice.<\/span><\/p>\n

\u00a0If you have been introduced to contour drawing previously then you have half an understanding, now for the other half…<\/span><\/p>\n

You may not look at the paper on which you draw and you may draw ov<\/span>er and over on the same paper with overlapping being perfectly ok.\u00a0<\/span><\/p>\n

The goal is an exercise, not a finished image. The pencil is your barbell. The only reason to keep the practice papers is to observe progress. The jump can be surpris<\/span>ing.<\/span>\"\"<\/p>\n

Here we go:<\/span><\/p>\n

    \n
  1. We need an objector model, a pencil and paper and a large paper plate. Poke a hole in the paper plate center and slide the pencil through until it reaches almost to the top of the pencil, near the eraser area. Now the pencil has a hat.\u00a0<\/span><\/span><\/li>\n
  2. Look at one side of the object to start, we can see the whole object later. Place the tip of the pencil on the paper. Be sure you cannot see the surface where the mark-making takes place.<\/span><\/li>\n
  3. \u00a0Imagine your eye and the point of the pencil to be in the same spot. Trace the edge of the model as if by an imaginary laser pointer without lifting the pencil.\u00a0<\/span><\/li>\n<\/ol>\n

    It may help if you verbally describe each bit as you go. Saying things like I move the tip downward to a step and I am moving my pencil over it away from the main body, down a little, and back in towards the body, continuing downward \u2026 the more descriptive the better as it will slow you down to training speed. <\/span><\/p>\n

    Eventually, you will go silent altogether. The other key point is to remember that although you are some distance away from the object you will guide the pencil as if actually touching it. A fun challenge is to skip the paper plate and honor yourself by not looking at the paper. Toss away the eraser as you won’t need it at all.<\/span><\/p>\n

    \u00a0With practice, the eye-hand coordination will grow beyond expectation.<\/span><\/p>\n

    _______________________<\/p>\n

    About Marc Isaacs:<\/strong><\/span><\/p>\n

    \"Marc<\/a>\u00a0 \u00a0Marc Isaacs<\/span><\/strong> is an award-winning Long Island artist and teacher, with a degree in Art Education and a Masters in Fine Arts. His work is in collections in the US, Taiwan and Japan and periodically in the Metropolitan Museum in New York City as well as Huntington\u2019s Heckscher Museum. \u00a0Whether teaching drawing, clay or paint in two dimensions or three, he has a unique teaching philosophy which he calls \u201csolving art.\u201d Students are taught to create links between the dimensions and develop art skills which they can carry across education. He teaches students to work with conventional materials as well as tools and found objects in order to enhance their tactile and environmental awareness. He currently teaches for the Art Guild, YMCA, Friends Academy, and the North Shore school district.<\/span>
    <\/em><\/p>\n

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    Blind Contour Drawing with Marc Isaacs \u00a0 Blind contour drawing is the best friend to an artist and it often comes before contour drawing, but not necessarily. 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