{"id":38789,"date":"2025-08-14T18:32:38","date_gmt":"2025-08-14T22:32:38","guid":{"rendered":"https:\/\/www.theartguild.org\/home-2\/?p=38789"},"modified":"2025-10-29T19:36:31","modified_gmt":"2025-10-29T23:36:31","slug":"doorway-frames-windows","status":"publish","type":"post","link":"https:\/\/www.theartguild.org\/home-2\/doorway-frames-windows","title":{"rendered":"Doorway, Frames & Windows Juried Competition & Exhibition"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.22.2″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”http:\/\/www.theartguild.org\/wp-content\/uploads\/2025\/08\/Doorswindows.final_.pc2_.jpg” alt=”Doors windows exhibit” title_text=”Doors windows exhibit” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”14px” text_letter_spacing=”1px” text_line_height=”1.3em” custom_margin=”0px||0px||false|false” custom_padding=”20px|20px|20px|20px|false|false” border_radii=”on|1px|1px|1px|1px” border_width_all=”2px” border_color_all=”#8F8F8F” global_colors_info=”{}”]

Doorway, Frames & Windows: Looking In or Looking Out<\/b><\/span><\/h2>\n

Juried Competition & Exhibition<\/b><\/span><\/h2>\n

<\/span><\/em><\/p>\n

A doorway or window can frame a view or experience. The mystery of what lies behind a door that is left ajar, or a window\u2019s blowing curtain can tease the viewer, leading them to imagine what lies behind or beyond. A decorative door or ornate window frame can be enough to intrigue the viewer, opening a gateway to their imagination. A doorway or window from another country allows the viewer to see a landscape or culture they have never seen or experienced before. Use your creative and artistic skills to help the<\/span> viewer see through, behind, or beyond doorways or windows.<\/span><\/p>\n

Artists age 18 and older are invited to submit artwork for consideration for this exhibit. Photography will be accepted.<\/p>\n

Juror: SEUNG LEE <\/span><\/b><\/p>\n

Deadline:<\/strong> September 15th<\/p>\n

Awards & Reception:<\/strong> Sunday, October 5th from 3-5pm<\/p>\n

Exhibit on View:<\/strong> October 5 – 25<\/p>\n

<\/span><\/p>\n

<\/span><\/p>[\/et_pb_text][et_pb_gallery gallery_ids=”39277,39276,39275,39273,39272,39271,39269,39268,39267,39266,39265,39264,39263,39262,39261,39260,39259,39258,39249,39248,39247,39246,39245,39244,39243,39242,39241,39240,39239,39238,39237,39236,39235,39234,39233,39232,39231,39230,39204,39203,39202,39201,39200,39199,39198,39197,39196,39195,39194,39193,39192,39191,39190,39189,39188,39187,39186,39185,39184,39183,39182,39181,39180,39179,39178,39177,39176,39175,39174,39173,39172,39171,39170,39169,39168,39167,39166″ posts_number=”90″ show_pagination=”off” _builder_version=”4.22.2″ _module_preset=”default” caption_text_color=”#000000″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_gallery][et_pb_text admin_label=”Congratulations!” _builder_version=”4.22.2″ global_colors_info=”{}”]

Congratulations to the artists listed below!<\/span>
Your name and the piece(s) accepted are listed.<\/em><\/span><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Denise<\/td>\nAbraham<\/td>\nPeeping<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Linda<\/td>\nAbrams<\/td>\nThrough the Museum Iceland<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ann<\/td>\nArcery<\/td>\nPreveli Monastery, Crete<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diane<\/td>\nArdell<\/td>\nThrough fading lace<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Douglas<\/td>\nBarnaby<\/td>\nSunlit Lunch<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sheri<\/td>\nBerman<\/td>\nWindows on the High Line<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Matt<\/td>\nBodkin<\/td>\nDonna’s View<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gina-Marie<\/td>\nBuongiovanni<\/td>\nAl Capone’s Cell<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Steve<\/td>\nCaputo<\/td>\nDoorway to the shoreway<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Julia<\/td>\nCarpio<\/td>\nIvory<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nori<\/td>\nCerny<\/td>\nStairway To Heaven<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pauline<\/td>\nChiarelli<\/td>\nSilhouette<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tom<\/td>\nConte<\/td>\nWindows On The Line<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Doris<\/td>\nDiamond<\/td>\nBarcelona Windows<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mike<\/td>\nDirenzo<\/td>\nGreeting the New Dawn<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
John<\/td>\nDolimpio<\/td>\nRearview in rain<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Elizabeth<\/td>\nFusco<\/td>\nTuscan Door 18<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bill<\/td>\nGrabowski<\/td>\nJoe is Home<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Theresa<\/td>\nGraff<\/td>\nRosedown plantation house La.<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pam<\/td>\nGrafstein<\/td>\nLonely Optimism<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jan<\/td>\nGuarino<\/td>\nSunrise over Steeples<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Heather<\/td>\nHeckel<\/td>\nElkmont Wood Paneling<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Shelley<\/td>\nHoltzman<\/td>\nWisteria<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Stanley<\/td>\nHorowitz<\/td>\nLooking Back<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Joann<\/td>\nHyoen<\/td>\nAdobeFront Door<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Randy<\/td>\nIlowite<\/td>\nA Rainy Day<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pamela<\/td>\nDarpino<\/td>\nA Door for Dante<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Marc<\/td>\nJosloff<\/td>\nCat with plants<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annette<\/td>\nKasle<\/td>\nAbandoned<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Daniel<\/td>\nKasle<\/td>\nOpen<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Julianna<\/td>\nKirk<\/td>\nDaydreaming<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alan<\/td>\nKlein<\/td>\nNovember, 14th Ave<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nancy<\/td>\nKropp<\/td>\nSun patterns<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Hali<\/td>\nLayton<\/td>\nIn Santa Fe<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lori<\/td>\nLee<\/td>\nContemplation<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sofia<\/td>\nLee<\/td>\nUntitled<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Zoe<\/td>\nLefkowitz<\/td>\nMy view<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bridgett<\/td>\nLicata<\/td>\nUnseen view<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Joseph<\/td>\nLicata<\/td>\nChild’s hands in old broken window<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kevin<\/td>\nLong<\/td>\nPortals_II<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ava<\/td>\nLucarelli<\/td>\nJ\u2019adoor<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Diane<\/td>\nLuger<\/td>\nWhite on White<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Christine Verga<\/td>\nMaday<\/td>\nHempstead House Blooms<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mark<\/td>\nMancher<\/td>\nDoorway pillow<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adriena<\/td>\nMasi<\/td>\nAbandon church in Tuscany<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Avrel<\/td>\nMenkes<\/td>\nDoors From Around the World<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Donna<\/td>\nMerola<\/td>\nToward-the-Light<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
John<\/td>\nMicheals<\/td>\nClosed for the Season<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jill<\/td>\nMorrison<\/td>\nEntrez Vous 2 Mill House<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lauren<\/td>\nMoschetta<\/td>\nFlagwindow<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Stephanie<\/td>\nNavon-Jacobson<\/td>\nSecret of Stone and Wood<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gail<\/td>\nNeuman<\/td>\nOutside Grandma’s Window<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Maureen<\/td>\nO’Connor<\/td>\nThe Red Door Ireland<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Denise<\/td>\nOrtell<\/td>\nEnglish Countryside<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ralph<\/td>\nOttaiano<\/td>\nReflections<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Josephine<\/td>\nParlagreco<\/td>\nHarriet<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ann<\/td>\nParry<\/td>\nPlayhouse B&W<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Denis<\/td>\nPonsot<\/td>\nEnter The Garden<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alan<\/td>\nRichards<\/td>\nSo, What’s New?<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alice<\/td>\nRiordan<\/td>\nThrough the window of time<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lisa Dawn<\/td>\nRomano<\/td>\nSunset on the Manasquan<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
David<\/td>\nRose<\/td>\nThe Dress<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Carol<\/td>\nSalerno<\/td>\nDoors<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Irene<\/td>\nSankari<\/td>\nA Window in Provence<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Anne<\/td>\nSiefert<\/td>\nThe Light Illuminated<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Philip<\/td>\nSievers<\/td>\nChild in doorway<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Barbara<\/td>\nSilbert<\/td>\nOld Maine Barn<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lynn<\/td>\nSirow<\/td>\nBeyond the basket<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Harriet<\/td>\nSpivack<\/td>\nThe Hatter<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alan<\/td>\nStein<\/td>\nDubrovnik Windows<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Joan<\/td>\nStevens<\/td>\nCuisine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Robert<\/td>\nStuhmer<\/td>\nHomesick<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Su-Chow<\/td>\nTannuzzo<\/td>\nL\u2019amore a Portofino<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Susan<\/td>\nTiffen<\/td>\nThanksgiving in Croton<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Margo<\/td>\nVignola<\/td>\nProvence Garden<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
David<\/td>\nWollin<\/td>\nHome in Venice<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Fred<\/td>\nWoodward<\/td>\nTrani #15<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>[\/et_pb_text][et_pb_divider _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”Text” _builder_version=”4.22.2″ text_font_size=”14px” header_4_font=”||||||||” header_6_font=”||||||||” custom_padding=”20px|20px|20px|20px|false|false” global_colors_info=”{}”]

RULES FOR THE JURIED COMPETITION<\/h4>\n

 <\/p>\n

Criteria<\/b><\/h5>\n