Portraits from Life with Max Ginsburg

Portraits from Life with Max Ginsburg

3 day workshop

Portraits From Life
with Max Ginsburg

January 9-11, 2024
9:30 – 4:00pm

Join this mastermind of an artist, who passionately gives to the craft for a 3 day workshop January 9-11, 2024!

Day 1. Oil Painting Head Studies or Portraits from Life (Male & Female Live models). In the first hour of the morning and the afternoon sessions I would paint a demonstration. The students would paint in the second two hours of the morning and afternoon sessions and I would critique their work individually.

Day 2. Oil Painting Nude Figure Study from Life (Female Live model). One pose all day. Demo by me for the first hour in am & pm. Then critique students’ work as on Day 1..

Day 3. Oil Painting Composition of Clothed Figure from Life (Live model). One pose all day. Same procedure as on Day 2.

Required Supplies

OIL PAINTS

Titanium White, Cadmium Yellow, Yellow Ochre,
Cadmium Orange, Cadmium Red Lt., Alizarin Crimson, Raw Sienna, Burnt Sienna, Burnt Umber, Cadmium Green Pale., (Winsor Newton brand), Cinnabar Green Medium (Rembrandt brand), Viridian, Cerulean Blue, UltraMarine Blue, Mars Black

BRUSHES

  • Raphael – Paris, (Type #3572 Bristle Filbert) Size #4, #6, #8 I have these

  • Raphael – Paris brushes at a discount price. I will bring these to the workshop.

  • Escoda Clasico (Cerda Blanca) Sizes #4 & #6

  • Silver Brush Renaissance (Type #7110) Red Sable #1, #2

MEDIUMS

  • Linseed Oil
  • Turpenoid or Gamsol

SURFACES

  • Hardwood Panel gessoed and toned OR GessoBoard toned)
  • OR Stretched smooth Canvas, Primed & Toned)
  • Two 9″x12″ panels or canvases
  • Two14″x18″ panel or canvas

 

OTHER

  • Two metal cups with caps (for turpenoid and linseed oil)
  • Palette Knife
  • Murphy’s Oil for cleaning brushes
  • Rags and Paper Towels
  • A French Easel with legs with a wooden or plastic palette,
  • Or a regular 12”x16” paint box with a traditional 12”x16” wooden or plastic pallet

Lecture and Slideshow
with Max Ginsburg

Monday, January 8, 2024
6 – 8:00pm

Join us for a lecture, slide show an discussion with Max Ginsburg. He will  share his process, his art and the masters  that have influenced him along his journey.

Light refreshments will be served. Don’t miss out on this rare opportunity, space is limited.

This lecture is Free to Workshop participants, please contact Tracy Lefkowitz to register tlefkowitz@theartguild.org.

About Max Ginsburg

Ginsburg’s paintings are in many museums and private collections including The Butler Institute of American Art, The New Britain Museum, The Washington County Museum of Fine Art, The Society of Illustrators Museum, The Art Renewal Center Collection, The Salmagundi Club, The Hospital Workers Union 1199 and other public institutions.

He exhibited his fine art from 1953 to the present. From 1980 – 2004 he painted illustrations commissioned by the major publishing companies.

Ginsburg taught art over 60 years:

1960 – 1982 at The High School of Art & Design (NYC).

1984 – 2000 at The School of Visual Arts (NYC).

2008 – Ongoing: at The Art Students League of N.Y.

He has given many PAINTING FROM LIFE WORKSHOPS around the U.S. and abroad.

2020 – Ongoing: Online Painting Classes and Workshops

In 2011 he published his BOOK “MAX GINSBURG – RETROSPECTIVE.”

Over the years he exhibited and received many awards. The following are some of the more recent exhibitions and awards:

2023 – Lifetime Achievement Award, RealismLive

2022 – Love Award, Allied Artists of America

2020 – GOLD MEDAL, The Portrait Society of America

2017 – Solo Exhibition, FEI Art Museum, Yokohama, Japan

2017 – Solo Exhibition, Florence Academy Of Art, U.S.

2016 – Solo Exhibition, Highline Loft Gallery, NYC

2015 – The William Draper GRAND PRIZE at The Portrait Society of America Competition

2014 – Solo Exhibition, ArtRage Gallery in Syracuse, NY

2013 – Gold Medal Award, California Art Club, CA

2011 – BEST IN SHOW at ARC, The Art Renewal Center, International Salon Competition

2011 – Retrospective Solo Exhibition, The Butler Institute of American Art, Youngstown, OH

2011 – Retrospective Solo Exhibition, The Salmagundi Club, New York, NY

For more details, awards and Bio before 2011 see Biography in web site www.maxginsburg.com,

and in his book “Max Ginsburg – Retrospective”.

Education:

Although he studied art & painting in the following schools, his education and skill development in realistic painting was learned primarily from his father, Abraham Ginsburg, a portrait painter

1945-1949, H.S.of Music & Art, NYC

1949-1953, Syracuse University (BFA), Syracuse, NY

1960-1963 City College of NY (MA), NYC

Art Admissions 101 Presentation

Art School Admissions 101

PRESENTATION: HOW TO APPLY TO ART SCHOOL
Learn about our weekly College Portfolio Prep Intensive!

Are you considering applying to a specialized visual arts college or submitting a portfolio for advanced art classes? Our visual art professionals will help you develop an elevated portfolio that expresses your unique voice, demonstrates your skills and helps you stand out!

You’re invited! Join admissions expert Robyn Cooper as she delves into the fundamental elements of the Art School Admissions process. Tailored for individuals interested in entering the realm of art school, this session is your essential companion in navigating the intricate pathway to admission success. Hosted by The Art Guild, we invite parents to join an evening of open, honest, and non-judgmental discussion, where we address your questions about the art school admissions process.

Wednesday, January 17
7 – 8pm
The Art Guild
200 Port Washington BLVD, Manhasset

About Robyn Cooper

Robyn Cooper received her M.F.A from the Pennsylvania Academy of the Fine Arts in 2012. Robyn has more than ten years of teaching experience and has taught across Long Island at Long Island University (C.W. Post,) SUNY Suffolk Community College, and the Nassau County Museum of Art. She is currently an Adjunct Professor at Adelphi University and sits on the Education Committee at the Heckscher Museum of Art. Robyn has also worked in college admissions doing portfolio reviews for several years. She has experience working in acrylic, oil and gouache paint, in addition to drawing, and digital media. Her work has been exhibited throughout the country in shows at Gross McCleaf Gallery PA, R. Dixon Gallery NY, and uBe Art in Berkley, CA. Her work is in several private collections including a private collection at The Hershey Trust in Hershey, PA. In her personal work, Robyn is interested in exploring: family, relationships, the idea of home, community, love, loneliness, isolation, humor, sadness, happiness, food, and gathering around the table.

Robyn currently lives and works in Long Island, NY.

www.robyncooperart.com // @robyncooperart

Primary Colors Juried Competition & Exhibition

Primary Colors Juried Competition & Exhibition

love of food juried competition and exhibit

Primary Colors

Juried Competition & Exhibition

Primary colors, blue, yellow and red, are the colors from which all other colors can  be made. Artists have used these colors as the basis for their artwork for centuries. The use of primary colors makes any work of art vibrant and exciting. We invite you to submit your artwork demonstrating the stunning effects of using a primary color  palette with the colors blue, yellow and red being the primary artistic element.

Deadline: January 8, 2024

Drop Off: Sun Jan 28 3-5, Mon Jan 29 1-6

Pick Up: Sunday, Feb 25, 3-5pm and Monday, Feb 26, 1-6pm

Awards & Reception: February 4th, 3-5pm

Exhibit on View: February 4 – 24

Juror: Nina Sangimino, Long Island Museum Curator

Congratulations to our award winners!

1st Place- Aleta Crawford- Autumn Moon
2nd Place- Steven Vando- Daybreak
3rd Place-John Micheals-Primary Pyramids
Honorable Mentions:
Ilene Silberstein -Hues of Red, White and Blue
Anne Siefert- Trees, Hither Woods Late Afternoon
Denis Ponsot- Le Forgeron

Congratulations to the following acceptances:

Ahearn, Mary Journey of Exploration 1
Amato, Carolina Red Coat
Barnaby, Douglas Lady Liberty
Peace Tree
Behal, Jo-Anne Scarlet Macau
Buongiovanni, Gina Bench Worm’s Eye
Carner, Stacy Abstract bry
Abstract composite
Caseley, Judith Sharing Cookies
Corbin, Bernice “Creation”
Untitled 2
Crawford, Aleta R Autumn Moon
Elbaum, Nate Mondrian Buildings
Foglia, Debbie Where’s the Butter?
Gerlach, Kathleen Bursting with Life
Gitlitz, Alicia Crazy For You
Grabowski, Bill Woman in the Moon
Graff, Theresa Village in the harbor
Holtzman, Shelley Go For It
Iqbal, Nayyar Red Shop on Victoria Street
Ivolella, Stephanie Bring me the whole sea-fest
Josloff, Marc Bright Red Lipstick
The Painter
Kaplan, Barbara All That Jazz
Kawas, Tara Maine Oysters
Cherry Tomatoes
Kim, Yangmi A few days later 1
A few days later 2
Kirshner, Karen #3 (Collage series)
Kraft, Randy Primarily Whimsy
Layton, Hali Ancestral Home
Massetti, Mary Catch of the day
Meehan, Meagan The Quiddity of Imagination–An Abstract Playground
Michalson, Sue Bikes
Micheals, John Primary Pyramids
Primary Corrugation
Ottaiano, Ralph Peggys Light
Ponsot, Denis Le Forgeron
Blue Boxes Red Strawberries
Riordan, Alice Frozen Memories
Rossi, Ellen No.5
Salerno, Carol Rambling Roads
Sankari, Irene Red and Gold
Walking Into the Light
Sarasohn, Gail Spice Island
Schneider, Madison Internal Struggle
Schreiber, Betsy Tornado
Seligson, Jose ARCA
Shavzin, Nolly Autumn Forest
Siefert, Anne Trees, Hither Woods late Afternoon
Silberstein, Ilene Hues of Red, White and Blue
Small, Andy SurfsUp
Vando, Steven Daybreak
Blue Porcelain
Vignola, Margo Pagoda
Yantz, Patty Celebrated
Yen, Kevin Pomegranate
Zavala, Theodora Cherry and red onion
Cherries in water

CALENDAR & IMPORTANT DATES

Deadline: January 8, 2024

Notification of acceptance: after January 12, either by email OR on our website

Drop Off: Sun Jan 28 3-5, Mon Jan 29 1-6

Pick Up: Sunday, Feb 25, 3-5pm and Monday, Feb 26, 1-6pm

Awards & Reception: February 4th, 3-5pm

Exhibit on View: February 4 – 24

Juror: Nina Sangimino

TROUBLESHOOTING

QUESTIONS Call 516-304-5797 or email artshow@TheArtGuild.org. 

If you have problems with the uploader, please email your images to artshow@TheArtGuild.org  – with ALL contact information, image titles and mediums. We will invoice you for payment. Submission will not be included in curating without payment. 

Emailed images must include your name, contact information and the title, medium, value, and size in your email.

To resize or compress your images, go to PICRESIZE.com

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be will be reviewed by our curators and displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface.

FINALISTS & AWARDS

FINALISTS:

The Selection Committee will review all entries and notify each artist as to the acceptance of the submitted work. (High school students will be reviewed and judged separately if applicable). The Art Guild has the right, in its sole discretion, to choose which eligible entries will be accepted to be exhibited. All decisions are final. Artists whose work has been selected will be notified either by email OR on our website.

AWARDS:

1st Place $300 • 2nd Place $200 • 3rd Place $100 • Honorable Mentions

SIZE & FRAMING

Frame size must not exceed 36” on the longest side. Gallery wraps are acceptable, but must be at least 1” thick and must not exceed 36″ on the longest side.

It must be wired securely for hanging with screw eyes or D-rings to the frame, NOT the backboard. No sawtooth hangers, tape, strings.  We can wire for you for a $10 fee.

Work must be labeled on the back with the title, artist’s name, street address, phone number, and email.

Framing of your work must comply with the above OR IT WILL NOT BE ACCEPTED.

SELLING YOUR ARTWORK

Artwork may be sold directly by the artist with a suggested donation of 20% of the selling price from the artist to The Art Guild. Note, however, that sales may not be made at the exhibition.

All work must remain on view for the duration of the exhibit.

LIABILITY & INSURANCE

The Liability Waiver on the entry form must be signed by the artist submitting images for consideration. It is the responsibility of the participating artist to insure or self-insure any work submitted for inclusion in this exhibit.

Yoojin Lee

Yoojin Lee

Social Media Manager

An NYU grad and native New Yorker, Yoojin spent a decade working in the fashion industry. After moving into the suburbs of Long Island, her career pivoted to Social Media Editor and Strategist. She has worked for MoneyCrashers and CoinDesk, both in the finance industry, for the past eight years before joining The Art Guild.

“I’m so proud to be a part of The Art Guild because I get to be involved within a community I’m already a part of. I want everyone to experience everything this place has to offer, from the workshops and exhibits inside to the fairytale-like Elderfields Preserve it sits on outside. Every inch of this place has a special story and it’s awe inspiring.”

Yoojin resides in Great Neck with her husband and three children.