H2O: Water Exhibit and Competition, April 5-26, 2020

H2O: Water
April 5-26, 2020
ONLINE Reception: Sunday, April 5, 3pm

Water, water all around – to drink or to swim in, from the bottom of the ocean to a river in the mountains. All styles from abstract to realism are welcome.

A link to the online reception has been provided to artists, members and our mailing list.

An online gallery and videos will be available on our website after the presentation for those who missed it.

EXHIBIT

 DROP OFF  Entries must be delivered to The Art Guild,
200 Port Washington Blvd, Manhasset, NY 11030, at these times.
• SUNDAY, March 29: 3:00 – 5:00 pm
• MONDAY, March 30: 1:00 – 7:00 pm

ONLINE EXHIBIT
• Sunday, April 5, 2020

ONLINE Artist’s Reception & Awards Ceremony
• Saturday, April 5 at 3pm

PICK UP (TBD)
• Sunday, April 26: 3:00 – 5:00 pm (Exhibit Closes)
• Monday, April 27: 1:00 – 7:00 pm

Works not picked up within eight weeks of the final day of the exhibit will become property of The Art Guild. 

 

Be Happy: Art That Makes You Smile, ONLINE Juried Competition and Exhibition May 2 – 31, 2020

Be Happy: Art That Makes You Smile, ONLINE Juried Competition and Exhibition May 2 – 31, 2020

Be Happy: Art That Makes You Smile, Online Juried Competition and Exhibition
May 2-31, 2020
Online Reception: Sunday, May 3 at 3pm

Click here to view our online gallery

“Be Happy” an Online Juried Competition and Exhibition. Show us what you are grateful for, inspires you, lifts your soul, and makes you smile.
This virtual juried competition and exhibition will be judged by members, with artists being awarded The Art Guild Members’ People’s Choice Awards (values below).

CRITERIA All styles from abstract to realism are welcome. All works must be original, and have been created in the last five years. References used in the creation of the submitted work must be the artist’s own, or copyright-released for use in this work. The curating committee’s decision is final.

MEDIUMS Including but not limited to acrylic, oil, watercolor, photography, digital art, pastel, mixed media, collage, encaustic, etching/prints, or sculpture. (NO MASTER COPIES)

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface.
For tips on how to best photograph your art work, please click here for a tutorial by TAG member Steve Silberstein.

JUROR: MEMBERS OF THE ART GUILD WILL CHOOSE THE WINNERS

ENTRY FEE(S)  Registration is required and non-refundable. 

  • Members: $20 (1-2 pieces) or $30 (an additional piece).
  • Non-members: $30 (1-2 pieces) or $40 (an additional piece)
  • Student members: $10 (1-2 pieces) or $20 (an additional piece)
  • No more than 3 works per artist

FINALISTS The Selection Committee will review all entries and notify each artist as to the acceptance of the submitted work. The Art Guild has the right, in its sole discretion, to choose which eligible entries will be accepted to be exhibited. All decisions are final. Artists whose work has been selected will be notified after April 20 either by email or here on the website.

AWARDS 1st Place $300 • 2nd Place $200 • 3rd Place $100.

LIABILITY & INSURANCE The Liability Waiver on the entry form must be signed by the artist submitting images for consideration. It is the responsibility of the participating artist to insure or self-insure any work submitted for inclusion in this exhibit.

AWARDS

1st Place $300 • 2nd Place $200 • 3rd Place $100

EMAIL YOUR ENTRY

Email your images to artshow@TheArtGuild.org with ALL contact information including your name, telephone number, address, email and the title, medium, value and size in your email. We will invoice you for payment. Submission will not be included in curating without payment. Download the form here.

CALENDAR & IMPORTANT DATES

CALENDAR

DEADLINE: Monday, APRIL 15 Application & images must be received.
ACCEPTANCE/REJECTION NOTIFICATION: After APRIL 20

ONLINE EXHIBIT
• May 2-31, 2020

ONLINE, VITUAL  Artist’s Reception & Awards Ceremony
• Sunday, May 3 at 3pm

QUESTIONS & TROUBLESHOOTING

QUESTIONS Call 516-304-5797 or email artshow@TheArtGuild.org with “BE HAPPY” in the subject line. 

If you have problems with the uploader, please email your images to artshow@TheArtGuild.org  – with ALL contact information, image titles and mediums. We will invoice you for payment. Submission will not be included in curating without payment. Download the form here.

Emailed images must include your name, contact information and the title, medium, value, and size in your email.

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface.

SELLING YOUR ARTWORK

Artwork may be sold directly by the artist with a suggested donation of 20% of the selling price from the artist to The Art Guild. Note, however, that sales may not be made at the exhibition. All work must remain on view for the duration of the exhibit.

Congratulations to the artists listed below!
Your name and the piece(s) accepted are listed.

Linda Abrams, Laughing Out Loud and Young Peruvian
Aqsa Ansari*, Movement
Douglas Barnaby, The Candy Shopper
Jim Barrett, Sweet Pea
Heidi Block, Loving the Leaves
Anne Barash Breitstein, Happy Tails and Glorious Spring
Renee Bundi, Clive
Elizabeth Caputo, My Neon Forest
Caryn Coville, Violet Blooms
Aleta Crawford, Viewing Art and Canard d’en Haut
Kathy  D’Amato-Smith, Flowers in Coffee Can
Eliseea Faur*, Lost In Imagination
Anjali Gauld*, A Perfect Moment
Katherine Hagen*, A Cause For Celebration
Heather Heckel, MooseStache
Susan Herbst, Sweetheart of The Rodeo and Feliz Casa de Peligro
Susan Hicks, Brave New World
Shelley Holtzman, “I Told You to Clean Up Your Room!” and Spotted in the Garden
Annette Kasle, Romanian Folk Dancers
Marceil Kazickas, Day Dreamer and Peaceful Solitude
Joan Laufer, Brotherly Love
Sydney Lipner, Graduation
Baruch May, Gioia
Meagan Meehan, Bon Appetit in the Fun House
Emily Milgrim*, At the Market

Deborah Miller, Buon Appetito
Brooke Murphy, Dressed As Someone Else
Stephanie Navon-Jacobson, Summer Cocktails and Fancy Free Peony
Stephanie Peterson, Blue
Sophia Pirone*, Cheerful and Lucky and Silly Dad Through My Young Eyes
Alice Riordan, On The Boat and Bryce Canyon Cowboy
Olivia Robson*, Euphonius and A Sweet Song
TJ Roszko*, YinYang of Society
Jane Scal, Danielle Kicking Waves
Jose Seligson, I See You
Ilene Silberstein, Elderfield’s Gate
Steve Silberstein, Happy Drummer and Sea Princess Happiness
Barbara Silbert, The Laughing Cavalier and In From the Snow
Susan Kozodoy Silkowitz, Subway Serenade and Man With A Dog
Lynn Sirow, “Get Well” Flowers
James Slezak, Moroccan Girls Play and Asian Bloom
Barbara Stein, Daffodils and Azaleas
Joan Stevens, Essentials
Elisa Triffleman, The Rockets Red Glare
Kay Vickers, Vivace
Ella Yang*, Serendipity
Theodora Zavala, Orange Glow and Rusty’s Day Out

* Student

Brush Care & Cleaning (Watercolor & Acrylic)

Brush Care & Cleaning (Watercolor & Acrylic)

Brush Care & Cleaning
(Watercolor and Acrylic)

Brushes are usually expensive and we try to take care of them, but despite our best efforts, we all have dozens of brushes that have lost their points, are clogged up with paint we didn’t clean out properly (oops!) or sort of look like they’re having a bad hair day! (Figure 1, mostly watercolor brushes; and Figure 2, acrylic and/or other mediums)
What do we do? 
In most cases, we can rehab them! They won’t be brand new, and that one with the pointy point that we love won’t be pointy anymore, but they’ll regain some life and usefulness.

I use The Masters Bush Cleaner. It cames in many different sizes from a 1/4 ounce (shown here) to large (24 oz) jars. Most art supply stores carry it. (Figure 3)

 

(Figure 4) Wet the brush and the little cake of soap and swipe the brush around in it (like you’re using a cake of watercolor). Get it really loaded up with soap. You can work the soap in with your fingers, gently massaging it into the bristles or hairs.

(Figure 5) Drag the brush across the brush scrubby (also known as brush grooming pad). Be sure to get right up to the ferrule. You’ll see paint being lifted out. You can rinse and repeat as much as is necessary.

I use a brush scrubby made by Royal Brush, but there are many different brands and kinds. They make ones to clean makeup brushes that can be found in discount “dollar” stores. This one is hard plastic but they make them of silicone as well.

I’m gentle with my watercolor brushes. but I apply more force with synthetic acrylic, hog hair or bristle brushes. 

(Figure 6) Brushes that are splaying out or splitting generally have paint down in the ferrule. It’s important to get as much paint out as you can. Work it in with your fingers, and wiggle the bristles back and forth. Really stubborn paint can be picked at with a pin or pushpin.
I’ve had success with loading up the brush with either the brush conditioner or Dawn dishwashing soap, letting it sit a few hours or overnight (flat) and using the brush scrubber again.

(Figure 7) Gently shape the brushes into the right shape – flats squared off, bristles all together, rounds to as good a point as to can make. Let them dry either on a flat surface, or upright. There’s no need to rinse them out until you’re ready to use them. 

Sue Herbst is the Programming Manager at The Art Guild. She coordinates classes and workshops with instructors from around the country and works with the Gallery Committee and her colleagues to coordinate, curate, and present exhibits in the gallery. (She always welcomes your suggestions for workshops and classes!) She also creates the flyers, newsletters, signage and some of the postcards for exhibits and other events at The Art Guild.

Practically raised in the Town of Islip Recreation Department, Sue has been around the arts, crafts, puppetry, and ceramics most of her life. She’s worked at paint-your-own-pottery-stores from Garden City to Greenport, teaching and encouraging customers in not just painting pottery but mosaics, glass painting, and beading. She is also a graphic artist working in the printing industry for more than 30 years. Annually she creates The Mermaid for the Great South Bay Music Festival posters, advertising and t-shirts.

Sue’s favorite mediums are watercolor, pastel and colored pencil, and she is fully capable of getting into a lot of “trouble” in any art store. Libraries and bookstores are also considered “danger zones.” Her work can be found at her Facebook page Mermaid Sue’s Studio and on Fine Art America & Zazzle.

She attended School of Visual Arts for Illustration.

TAG at Home

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Photographing Art with Steve Silberstein

Photographing Art with Steve Silberstein

Photographing Art

with Steve Silberstein

 

Follow Steve Silberstein’s step by step instructions for photographing art using an iPhone and Snapseed. Watch the video here 

1. SET UP 

  • Turn on grid lines on camera screen in settings/Camera
  • Turn off Live View on iphones
  • No digital zooming (don’t pinch) – use 1x or 2x camera setting
  • Download “Snapseed” phone photo editor
  • Wear dark colors (you reflect)

2. THE SHOOT

  • Find, diffuse, indirect light, especially for oil paintings
  • Check for reflections
  • Place a piece of white paper in the frame for white balancing later
  • Zoom with your hands, not the screen
  • Square the picture in the frame and gently touch, not HIT, the shutter button

3. POST PROCESSING

  • Use the “white balance” tool in Snapseed and adjust “white balance”
  • Crop
  • Export

4. CHECK FILE SIZE (not included in video)

Many galleries limit the file sizes that can be uploaded. To reduce the size of a photo:

  • Install Compress Images App from App Store
  • Select the image that you wish to compress
  • Select the level of compression
  • Tap on compress images
  • The app will automatically save the images to your camera roll

Don’t forget to change the name of the files to include your name and the title of your work. Enjoy!

_______________________

About Steve Silberstein:

  Steve Silberstein is a New York based photographer focused on portraiture, live entertainment and street photography. He first picked up a camera as a 12 year old and has never put it down, even while raising a family and working in finance. Steve is a member of the Soho Photo Gallery and the Art Guild of Port Washington. His work can be seen @silbersteinphotography on Instagram and www.stevensilberstein.com

TAG at Home

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Still Life in Colored Pencil with Barbara Silbert

Still Life in Colored Pencil with Barbara Silbert

Still LIfe, drawing, pencil, colored pencil, Art Guild, Barbara Silbert  

Drawing a Still Life in Colored Pencil
with Barbara Silbert

1. SET UP YOUR STILL LIFE (SAME AS LAST SESSION)

Set up your objects on a tablecloth, and find another cloth to prop up behind it & tape to a wall or a large board.

RE-DRAW your still life as before but on a smooth paper like Bristol or a colored pencil pad. Use a med. blue to draw with (Prismacolor best)

Note: don’t color over your pencil drawing with colored pencils – it won’t work. 

2. SHADING

Begin by lightly shading the blue cloth first, using the side of your sharpened colored pencil and try to get an even tone. Then add the medium blue and then midnight blue shadows. 

Start shading the pears by using a light coral for the highlights, leaving some white of the paper. Then use a red-orange for the mid-tones, and add some dark umber (brown) to the red for the left side that’s in shadow. 

3. COLOR

Put the stems in with a yellow green, noting the light side of stem on right, and make a bit darker on top and left side. 

For the tarnished copper bowl, use a light blue for the inside, noting how it gets darker on the inside right. Add some orange where indicated, then dark gray around it and mesh one color into another softly with your pencil point. You cannot blend colored pencil with your finger or a paper stub. Remember to leave white highlights where you see them.

4. BACKGROUND & SHADOW

Finish the dark background with the darkest blue, adding only a bit of black, and perhaps some dark red as well. 

Don’t forget shadows under the bowl and pears, and note how beautiful the pears look against a dark background!

Happy Drawing, Barbara 

_______________________

About Barbara Silbert:

  Barbara Silbert’s work has been acknowledged with more than 50 awards in various venues. She has taught Pastel Portraiture at the Nassau County Museum of Art and is presently teaching at The Art Guild and Great Neck’s school of Community Education at Cumberland. Silbert has taught adults, children, teens and seniors locally for the past 15 years. 

“Passing along what I have learned gives me the greatest pleasure of all.”

TAG at Home

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