ONLINE From Urban Sketch to Finished Painting Workshop with Stacy Kamin, October 1-3

ONLINE From Urban Sketch to Finished Painting Workshop with Stacy Kamin, October 1-3

ONLINE From Urban Sketch to Finished Painting Workshop, with Stacy Kamin, New Date October 1-3, 2020

12pm – 3pm EST
$325 Members /$360 Non Members

In this unique workshop, Stacy will introduce students into the world of sketching on the streets. Her travels have taken her to the streets of the United States and Europe for years armed only with a sketchbook, drawing pen and travel watercolor kit to gather material as inspiration for studio paintings. Now she will give you all her secrets to traveling light and yet taking your art skills on the road. 

Students will learn how important creating sketches and studying the pictures are. It is ideal to have that personal connection with the subject or place that you are working from. In a perfect situation, I will do sketches on location plus take pictures  creating the connection with your subject .

Day 1: Learn how to plan the composition shapes & values, study the details and color. 

Stacy will guide the students through the process of creating sketches, value studies, color studies. Composition studies. With demos.

Day 2:

Students will create studies on their own and then Stacy will critique (students may watch or continue with their studies). Using photos and sketches from her trav

I will do a demo, using pictures and sketches, and creating studies to work from.

Day 3: 

A continuation of the previous day beginning with critique while students begin to paint.

With Stacy’s warm and generous nature, everyone—regardless of experience—will feel comfortable tackling this exciting subject matter.  

*There will be demonstrations and daily individual critiques; all levels are welcome

 

Materials List
Block of watercolor paper or mixed media paper
Sketch pad
Small watercolor set.  
Stacy uses French Ultramarine Blue, Sepia Brown, Burnt Umber, Yellow Ochre and Transparent Brown or Burnt Sienna.  ( Windsor and Newton if possible).
For color studies, you may use colored pencils or pastels if you prefer.
A variety of watercolor brushes.  Stacy uses Raphael Kolinsky brushes, but any synthetic watercolor brushes will do.
 
Micron or Staedler black pens in sizes 0.2, 0.3 and 0.5.  Have several in case of breakage.
A variety of pencils.  HB, 2B, 3B
Oil paints:
Titanium White
Cadmium Yellow
Cadmium Yellow Deep
Yellow Ochre
Alizarin Crimson
Ultramarine Blue
Raw Umber
Burnt Umber
Transparent Red Oxide
Ivory Black
Walnut or linseed oil to use as medium
A few brushes for oil painting
One or Two 5×7 canvases suitable for oil painting

Having grown up in the cosmopolitan city of Washington, D.C., Stacy Kamin has lived a life any aspiring artist would envy. Providence brought Stacy into the world with a mother who nurtured her interest in drawing and painting every step of the way. Noted artist and teacher, Jacqueline Kamin, indulged her child’s art supply caprices and enrolled her in children’s classes at the National Gallery at a very young age. Art was alive in this bright artistic spirit, and as Stacy herself says, “Creating images from pencils and paint was like magic to me. I knew early on that I had to be an artist.”

Stacy studied illustration and traditional animation at the Academy of Art University in San Francisco, earning a BA in 2000. After graduation, she interned with a small animation company long enough to realize that illustration was not her calling, although a fascination with capturing movement was. This she would explore through line and paint as a fine artist.

She joined her family in Los Angeles and there found a well-respected Chinese artist, Shuqiao Zhou, to mentor her privately for six years. Zhou’s teachers came from the great Russian lineage of Ilya Repin and Valentin Serov, and through this expressive tradition, imparted a love of paint that is still a hallmark of Stacy’s work.

Drawn to the dramatic effects of Rembrandt, Stacy sought out the instruction of two well-known masters of this knowledge—David A Leffel and Sherrie McGraw. She credits their influence for the startling light that she is able to achieve in her own work. “They introduced me to Abstract Realism, a way of painting so rich that I can’t imagine my education ever ending—I will be a student of this great tradition my entire life.”

This humility coupled with a selfless generosity led to a desire to teach. She presently teaches workshopsfor Bright Light Fine Art nationwide. Recently she taught a figure and still life painting workshop with David A Leffel and Sherrie McGraw at Scottsdale Artist School; in 2019 she conducted a portrait painting class in Noyer’s France; and locally she teaches private workshops in Seal Beach.

In her own words Stacy describes this life-long obsession this way: “I believe art is supposed to evoke emotions and feelings in human beings. When I see a great painting, it touches my soul. Even if I can’t describe what I feel in words, a work of artaffects me profoundly. The reason I never ceasestudying is because the magic of capturing life on a flat surface continues to intrigue me. I want my own work to provoke thoughts and emotions for viewers, so that they too can experience the beauty that captivates me still.”

For more info on Stacy and her work, please visit her website.

Become a member when you register for the workshop.

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Stacy Kamin Workshop Oct 2020




ONLINE: 2020 Members’ Showcase, September 13-October 3

ONLINE: 2020 Members’ Showcase, September 13-October 3

2020 Members Showcase ONLINE:
September 13 – October 3
Deadline to Register Extended: Monday, August 24
Online Reception and Awards Ceremony: Sunday, September 13 at 3pm
All members welcome to exhibit – Become a member!

Sponsored by 

Download form here

 

 

 

CALL FOR ENTRIES The Art Guild of Port Washington (TAG) will hold its  2020 Members Showcase Exhibit online from September 13-October 3, 2020. All TAG members, including HS students are invited to enter their artwork. Non-members can become members at time of submission. Deadline for submission extended: Monday, August 24 (11:59 pm).

 

ELIGIBILITY All TAG members, including HS students, may submit. Membership must be current. One entry per member. All styles are welcome. All works must be original and completed within the last five years. Works previously exhibited at The Art Guild Gallery will not be accepted. The Art Guild reserves the right to choose the artwork to be included in the exhibition.  

 

MEDIUMS Including but not limited to acrylic, oil, watercolor, pastel, mixed media, collage, photography, digital, encaustic, etching/prints, or sculpture with pedestal. (NO MASTER COPIES, REPRODUCTIONS OR GICLEES.)

 

JUROR OF AWARDS: Doug Dawson was born in Oak Park, Ill. He has taught art for Colorado Institute of Art, Colorado Christian University, and The Art Students League of Denver. He is a founding board member for the The Art Students League of Denver, where he presently teaches a Plein Air class and a Studio Landscape class. He teaches 8 to 10 workshops around the country each year.

Doug has exhibited with and/or received numerous awards from a number of different art organizations, including,  The Pastel Society of America,  American Watercolor Society, Knickerbocker Artists,  The National Academy of Western Art,  Southeastern Pastel Society,  Pastel Society of West Coast,  Audubon Artists,  Kansas Pastel Society,   Allied Artists,  the Pastel Society of the Southwest,  the Pastel Society of New Mexico, the Pastel Society of Oregon,  the Pastel Society of Colorado,  and the International Association of Pastel Societies.
To honor his achievements, he was given the title of
Master Pastelist by the Pastel Society of America (NY, NY) in 1985 and awarded the title of Master Circle by the International Association of Pastel Societies in 2005  (California). For more information on Doug, please visit his website: dougdawsonartist.com.

 

 

 

REGISTRATION AND ENTRY FEE Pre-registration is required! (Fees below.) You MUST pre-register no later than August 17. Works will be accepted on a first come first served basis. There is no jurying-in process, however you will need to send us an image for our online exhibit. 

 

 

 

NOTE NEW SIZE RESTRICTIONS: There is no size limit for this online exhibit

 

 

 

ENTRIES One (1) digital submission uploaded to our website or emailed to artshow@TheArtGuild.org. Images should be  between 1 and 3MB each. Label your images as follows: artist’slastname_firstname_entrynumber_title.jpg (ex: smith_john_1_beachsunset.jpg). Do not use the # or other symbols in the file name. You MUST change the actual name of the image file. Images CANNOT be named “image.jpg” or “fullrender.jpg” or similar – our database overwrites these images. If you email the images, you must include your name, contact information and the title, medium, value, and size in your email. We will invoice you for the entry fee. All entry fees must be paid by Monday, August 17 to be included into the exhibit.

 

 

 

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface. (It is preferable to photograph without glass.) For tips, visit theartguild.org/photographing-artwork (with a video).

 

 

 

To resize or compress your images, go to PICRESIZE.com

 

 

 

LIABILITY & INSURANCE The Liability Waiver on the entry form must be signed by the artist submitting images for consideration. It is the responsibility of the participating artist to insure or self-insure any work submitted for inclusion in this exhibit.

 

 

 

QUESTIONS Contact us at 516-304-5797 or info@TheArtGuild.org.

 

AWARDS

1st Place $300 • 2nd Place $200 • 3rd Place $100

CALENDAR & IMPORTANT DATES

CALENDAR

DEADLINE EXTENDED: August 24 at 11:59 EST – Application, images and payment must be received.  This exhibit is not curated. All members are welcome to exhibit.

ONLINE EXHIBIT
• September 13 – October 3, 2020

Artist’s Online Reception & Awards Ceremony
• Sunday, September 13 at 3pm

QUESTIONS & TROUBLESHOOTING

QUESTIONS Call 516-304-5797 or email artshow@TheArtGuild.org with “MEMBERS’ SHOWCASE” in the subject line. 

If you have problems with the uploader, please email your images to artshow@TheArtGuild.org  – with ALL contact information, image titles and mediums. We will invoice you for payment. Submission will not be included without payment. Download the form here.

Emailed images must include your name, contact information and the title, medium, value, and size in your email.

To resize or compress your images, go to PICRESIZE.com

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface.

SELLING YOUR ARTWORK

Artwork may be sold directly by the artist with a suggested donation of 20% of the selling price from the artist to The Art Guild. Note, however, that sales may not be made at the exhibition. All work must remain on view for the duration of the exhibit.

Simple and Sophisticated Relief Printmaking with Stephanie Navon-Jacobson – October 3-4, 2020

Simple and Sophisticated Relief Printmaking with Stephanie Navon-Jacobson – October 3-4, 2020

Simple and Sophisticated Relief Printmaking
October 3-4, 2020, 10 am -3 pm
A Two-Day Workshop

$200 Members/$235 Non-Members

Please register by September 15, to ensure that workshop will run.

Relief printmaking is any technique where parts of the design are cut away (the negative), and the remaining part (the positive), is printed. Ink is applied by using an brayer or roller on the surface and printed by hand.

We will work with a convenient 4” x 6” size so that it can be used for Holiday greeting cards, thank you notes and more! Through demonstrations, we will explore one color, multiple colors and reduction as time permits. This workshop will use eco-friendly, water-based inks on Soft-Kut, Mastercut  (easy to cut alternatives to linoleum or wood).

This seemingly naïve and childish medium can be very sophisticated. Picasso, Matisse, and many other famous artists experimented with relief techniques. Let your creative juices flow in a supportive, encouraging atmosphere.

Materials list provided at registration.

To register, you may pay securely with your credit card via PayPal or download the form and mail with your check.

 

About Stephanie Navon-Jacobson: As an artist, I am always observing the world around me. Whether floral, landscape, animal, or figure, abstract or realistic, my images always go back to nature. I am first and foremost a printmaker, although I work in other mediums, too. I am a printmaker who paints, rather than a painter who prints.

I was originally attracted to printmaking in college. I loved the studio community aspect as well as the various techniques. I like to experiment with various techniques. The possibilities seem endless. I also like the element of surprise each time you pull a print.

It is so satisfying to work with people who are new to printmaking or to teach experienced artists a new technique and watch their enthusiasm as they ‘get bit by the printmaking bug.’ Printmaking is such a versatile medium. It can stand alone or be incorporated with other mediums such as oil or watercolor. I encourage my students to add printmaking to their artistic arsenal and incorporate it with their other artistic endeavors.

ONLINE! test for donorsnap form

ONLINE! test for donorsnap form

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WEDNESDAYS, 10 am – 12 pm

April 29, May 6, 13, 20, 27, June 3, 10, 17

Fee for Spring Session: $240 Members/$275Non-members

With over twenty years’ experience teaching, Instructor Denis Ponsot has designed this informative class to demonstrate all the “shop tricks” in watercolor painting. Both beginning and experienced students will learn to avoid common pitfalls and advance their abilities. The focus will be on students individually, helping them realize their full watercolor potential. Explore a variety of watercolor techniques with an emphasis on developing one’s own style. Includes demonstrations of color and design, wet on wet, and dry-brush techniques. Students choose to paint from still life arrangements, photos, or their own subjects.

About Denis

Award-winning artist, Denis Ponsot has worked in all of the various media but prefers to work in watercolor. He also teaches watercolor painting, oils, mixed media, and drawing from introductory to advanced levels to children and adults.

He says, “Teaching is my greatest inspiration. The combination of teaching and painting has helped to make my artistic experience complete. Working with students is important to me because I enjoy helping them with their painting and drawing problems. I am able to encourage them to experiment with their own ideas. I take pleasure in helping my students expand their artistic horizons beyond their expectations.” Denis teaches at The Craft Students League and The Kids Club in Manhattan and at the Art Guild in addition to accepting commissions in watercolor, oil, and portrait painting.

Denis has developed watercolor portfolios in three areas: “Landscape,” “Flowers and Still Life” and “The Figure and Portraits.” His work can be viewed on his Facebook page @DenisPonsot.

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