MATERIALS:
Notebook or sketchbook — for prepatory studies or sketches
1 Large Canvas or Panel — Examples: 18×24, 20×24 ,24×30, 30×40
3 Small Panels 8×10 or 9×12
(Joe recommends panels from New Traditions Art Panels). He uses Type 15 Claessens linen
Easel: Joe recommends a good quality French Easel (Example: The Original Julian Full Box)
It can handle up to 30″ in Height and up to a 40″ Panel if used with a Bungee Cord.
However, The Art Guild has metal easels that you are welcome to borrow. (Please note, we have somewhat low ceilings in our 340+ year old building, so a very tall vertical may be problematic.)
You will be able to leave your gear set up each night.
Paints:
White (Large Tube – 220 ml) Titanium or Cremation
Cad Yellow Lt (Old Holland, Rembrandt, Graham)
Cad Yellow (Windsor Newton) Note- Not WN Winton as these are under pigmented student-grade.
Cad Orange (Winsor Newton)
Cad Scarlet (Winsor Newton)
Cad Red (Winsor Newton)
Alizarin Crimson (Winsor Newton)
Manganese Blue (Old Holland)
Cobalt Blue (Winsor Newton)
Ultramarine Blue (Winsor Newton)
Ivory Black (Winsor Newton)
Raw Umber (Old Holland)
Mediums / Solvents:
Medium – Mixed 50/50, Coldpressed Linseed Oil & Gamsol in a small bottle.
(Be sure to have ONLY Gamsol as a solvent — it outgasses the least of all solvents and we will be close together in two large rooms!)
Palette Cup(s) Preferably with screw top
Palette Knife (Long Blade )
Brushes:
Long Bristle Flats or Filberts – Recommendations, Robert Simmons Signet, Raphael Series 359, Rosemary.
(Have at least 2 of every other size 2,4,6,8,10,12)
Retouch Varnish – Small Bottle 2.5oz: Winsor Newton Artist Retouch Varnish
Varnish Brush – 2″
Brush Washer: Metal Variety with a vacuum top lid for solvents
Bungee cords
Paper Towels
Garbage Bag
Humility & Patience (Not Optional)