Embrace the Practice – Daily Painting Workshop with Lisa Daria Kennedy • August 4-5

Embrace the Practice – Daily Painting Workshop with Lisa Daria Kennedy • August 4-5

Embrace the Practice – Daily Painting Workshop
with Lisa Daria Kennedy
Two-Days: August 4-5, 2018, 9:30 am – 4 pm
$350M/$380NM

This two-day workshop combines demos, in-class assignments and individual instruction to teach students the techniques Lisa Daria Kennedy uses to create fresh, deliberate marks. Using acrylic paint (or oils) students will discover approaches to simplify the process of painting and ways to stay inspired and motivated. Continuous painting is by far the most effective way to improve creativity and image making skills. She will share examples of how the discipline of daily painting produces personal growth. The class will delve into the principles of design, composition, value, and color. We will examine color mixing, mark making, and personal voice. Lastly, we will discuss practical strategies for painting every day (or almost every day).

 


From Lisa Daria Kennedy: I mark each day with a painting. After 2100 days (including Christmas) I’ve no intention of stopping. I use painting as an insistent act of documentation and with it, record weeks, months, and years. Collectively, painting for me, becomes a timeline of choices and happenstance. 
Having had cancer as a young adult, I discovered living is not just surviving. I want to embrace each day, no matter how typical, so without excuse or hesitation, I begin each day by painting. The on-going nature of my practice leaves me rooting for the next day, while the parameters of my work keep me focused on the simplicities of my immediate surroundings. The small, intimate paintings of ordinary subjects create a structural framework of self-preservation. Each of these daily exercises is a vital component of the project’s ongoing, infinite progression.


 

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ONLINE Painting with Colored Pencils Workshop: “White on White” with Cynthia Knox CPSA – March 19-21, 2021

ONLINE Painting with Colored Pencils Workshop: “White on White” with Cynthia Knox CPSA – March 19-21, 2021

ONLINE Painting with Colored Pencils: White on White,
Fine Art Workshop with Cynthia Knox, CPSA
Three Day Workshop: March 19-21, 2021, 9am-4pm
$460 M/$495 NM

All white is NOT the same! Cynthia will guide you through the nuances of white with each item in this still life – from the cream of the background to the pinks and blues in the peonies and cup.

Discover the difference between drawing and painting with colored pencils in this three-day colored pencil workshop.  Cynthia Knox will guide you step by step through the process of creating this stunning still life (photo reference shown) and will demonstrate her signature style of painting with this dry medium.  A variety of tips and techniques will be taught that will enable each artist to render the subtleties of the varying tones of “white,” the green leaves, and juicy strawberries, as well as textures and surfaces seen in this composition. 

In addition to group and individual instruction, Cynthia will provide high-quality instructional materials that include a glossy tutorial booklet, reference photo, her popular “Cheat Sheet” and the actual surface with a light tracing of the entire still life to minimize actual drawing time and focus on color rendering.  Join Cynthia in creating a unique masterpiece that friends and family will be certain to ask, “THAT’s colored pencil?!”

Cynthia Knox, CPSA, is a colored pencil and graphite artist who lives in New York with her family.  Her artwork has received numerous awards in national and international juried exhibitions, and she has published 13 art instructional books, with a new book to be released in the Fall of 2018.  Publishers include Walter Foster Publishing (Quartos), Ann Kullberg Publishing, Strathmore Artists, and Viking Woodcrafts.  Cynthia teaches art workshops to individuals and large groups throughout the United States, internationally and online with Craftsy.com.  She is represented by LaBelle Enterprises for her workshops with Bob LaBelle as the primary contact: boblabelle@sbcglobal.net.

Cynthia’s artwork, resume, and workshops can be viewed on her website at www.cynthiaknox.com, and she is on Facebook and Instagram.

A complete materials list will be downloadable by September 2020.

WORKSHOPS:  Cancellations by the student more than 90 days: full refund. Under 90 days: $50 non-refundable registration fee is included in the workshop tuition.  Deposit is non-refundable within 14 days of the start of the workshop.

Colored Pencil Workshop w/Knox 2021
Phone Number
Life Drawing with Nude Models – 8 weeks

Life Drawing with Nude Models – 8 weeks

Life Drawing with Nude Models

Thursdays, 12:30pm – 3:30pm

The model will take a series of poses from 2 – 40 minutes.
Limited to 9 students
8 classes each session
No instruction • Joyce Kubat, monitor
The Art Guild has easels and tables for students.

Register now!
$240 for members, $275 non-members
(membership is $50/seniors $35)
Registration is limited to 9 students per session and a waiting list will be taken.


Life Drawing with Nude Model: Spring 2020
Phone number (with area code)



The Still Life & Floral in Oil with Robert Johnson – July 13-15, 2018

The Still Life & Floral in Oil with Robert Johnson – July 13-15, 2018

The Still Life & Floral in Oil with Robert Johnson
A Three-Day Workshop • July 13-15, 2018
$470M/$500NM

A rare opportunity to take a workshop with Robert Johnson in New York! 

What makes a painting compelling and memorable? What imparts enduring beauty to a painting? What are the time tested principles underlying the creation of a successful painting? The answers to these persistent questions will be explored in depth in this still life and floral workshop. These enduring fundamental principles taught will be equally applicable to other genres of painting. 
The workshop will include a demonstration which will illustrate and discuss the principles underlying a successful still life arrangement, the design of the painting in the beginning stage, and effectively and artistically carrying the painting forward to its conclusion.  The importance of effective and descriptive brush strokes and creating and preserving fresh and compelling paint quality will be emphasized. As the demonstration progresses students will be able to observe the importance of the observation and depiction of relative values and edges and the importance of the preservation of the initial design while working.
Students will receive individual critiques and assistance as their  paintings progress.
Some of the topics covered in the workshop, among others,  will be:
-How one can identify, select and use effective color.
-The importance of having a compelling underlying design and preserving it throughout the painting.
-The critical necessity of understanding and using values for artistic purposes.
-The understanding of the importance of edges in the visual world of painting and how to use them effectively.
-The importance of the creation of the illusion of depth and solid form and how to do it with paint.
-How to use selective detail to create the illusion finished masses in the eyes of the viewer.
-How to recognize, create and preserve the beauty of fresh oil paint on the canvas.
While this will be a painting and not a drawing workshop the instructor will discuss the importance of effective drawing and a solid foundation for a compelling painting.  The instructor will make recommendations for books and materials to move the student’s drawing skills forward, and will also use some of his own finished drawings to illustrate the concepts discussed.
All levels welcome.


Bio: Robert Johnson was born in Hopewell, VA, into a family that included a mother who loved to paint and his older brother Ben, who became a worldwide respected art conservator and connoisseur as well as an accomplished painter. Robert remembers that as a child he watched his brother painting for hours – “seeing the magic of three dimensional form, recognizable objects, and the illusion of space emerging from a flat canvas fascinated me then and has never ceased to excite and amaze me-even today.”

A love of athletics took him to Duke University on a football scholarship, and later an interest in law led him to Duke Law School. After graduation his life took an unusual turn as he went to live in Europe where he spent two years in a small German village traveling extensively, seeing the best art in Europe and drawing and painting on his own. His brother was a knowledgeable and caring mentor. When Robert asked him what he should do to become a real artist, Ben advised him to “learn to draw and compare your work only to that of the masters.” Robert feels that “drawing is the foundation of all we are trying to accomplish as artists. When our drawing skills improve, the quality of our paintings mysteriously take jumps forward.” 

Upon his return to the US he began his serious studies at the Art Student’s League of New York painting with David Leffel; drawing with Robert Beverly Hale and Michael Burban; and learning sculpture with Barney Hodes. He later had the privilege of painting and studying in the studio of Hungarian-American master Lajos Markos.

Since becoming a full time [painter in 1987 Robert has won first place national juried awards in The Artists Magazine and Salmagundi Club (NY) and numerous other awards – including five awards from the Oil Painters of America, and the American Art Collector Magazine’s  Award of Excellence. He has had twenty one-man shows in private galleries throughout the US. He is the author of On Becoming a Painter (Sunflower Press, 2001) in which he explores his experiences in becoming an artist and his thoughts on the fundamentals of the painting process.

His work has also been featured in the Best of Flower Painting II (North Light Books) and The Simple Secret to Better Painting (North Light Books, 2003). He is featured in Learning from The Masters by Cindy Salaski (North Light Books, 2014). His work has been featured in numerous magazines including American Art Collector, The Artist Magazine, Southwest Art, American Artist, and Art of the West. 

He is represented by Trailside Gallery (Scottsdale, AZ, and Jackson Hole, WY), Sage Creek Gallery (Santa Fe, NM), Whistle Pik Gallery (Fredericksburg, Texas), and Brazier Gallery (Richmond, VA) and Anderson Gallery (Saint Simons Islands, GA). 

He teaches painting workshops throughout the US and Canada and has produced seven instructional videos. 

For more information on Robert, visit his website robertjohnsonart.com.


Best of The Art Guild 2017-2018

Best of The Art Guild 2017-2018

Best of The Art Guild 2017-2018
July 21 – August 25

The art has been picked up from our very successful Members Showcase and we realized – Oh, no! The walls are bare!  – and we HATE bare walls!

Award winners of The Art Guild’s exhibitions from September 2017-June 2018 are invited to be a part of a special exhibit: The Best of The Art Guild, which will be on view from July 21 through August 26.

Please bring a piece of your artwork on any of the following days:
• July 9, 11 or 12, 9 am – 3 pm
• July 13 – 15, 9:30 am – 4:30 pm
• July 16 – 20, 9 am – 3 pm
The work may be new (it won’t count as “previously exhibited at The Art Guild” for future exhibits) or may have been shown at The Art Guild in the past. Artwork should be no bigger than 36” in any direction.


Good afternoon everyone, 

We regret to tell you that we are unable to hold the reception for The Best of The Art Guild on Sunday, August 26. As you know, parking is a premium here at Elderfields and we were unable to secure a parking waiver for the boulevard. The gallery will be open from 1-5pm. We apologize for the change in plans and hope that things will work out better next year.
 
Pick up for “Best of” and drop off for “Wallflowers” will be from 3-5pm on Sunday, August 26, and 5-7 on Monday, Aug 27.