Life Drawing with Nude Models, Non-Instructional, Fridays w/Joan Stevens

Life Drawing with Nude Models, Non-Instructional, Fridays w/Joan Stevens

Life Drawing with Nude Models, Fridays
Non-Instructional
Monitor: Joan Stevens

WINTER/SPRING: 10 weeks: March 13, 20, 27, April 3, 17, 24, May 1, 8, 22, 29 • 11 am-2 pm
$300M/335NM

The model will take a series of poses from 2 – 40 minutes.
Excellent models (male or female) • Soft music (classical/jazz/easy listening) • Bring whatever materials you like.
Limited to 10 students
No instruction • Joan Stevens, monitor
The Art Guild has easels for students.
$300 for members, $335 non-members
Registration is limited to 10 students per session and a waiting list will be taken.

Life Drawing w/Nude Model Fridays: SPRING 2020
Phone number (with area code)




Abstract Painting: Acrylics with Kevin Larkin

Abstract Painting: Acrylics with Kevin Larkin

Abstract Painting: Acrylics with Kevin Larkin
Fall dates TBA 

Abstraction in painting allows the artist to communicate in often personal and impactful ways.

Explore abstract painting through an understanding of space, color, energy, tension, and form. Emphasis is placed on self- expression and developing a wholly personal style with individual instruction and critiques.

All levels.

” I have no fears about making changes, destroying the image, etc.,because painting has a life of its own.”- Jackson Pollock

MATERIALS LIST:

  • 4oz tubes (or larger) of acrylic paint.
    All colors red, yellow, blue, green, orange, purple, black, etc.
  • 2 tubes of white acrylic paint.
  • 2 stretched canvases at least 18″ x 24″ ( the bigger the better)
  • 2-4 medium size flat artist’s paint brushes
  • plastic cups to mix paint and hold water
  • masking tape
  • paper towels

Any questions call Kevin at 516. 659. 4914

KEVIN LARKIN is a painter, actor, director and scenic designer

Kevin  award-winning canvases have been exhibited regularly throughout the greater NY area. He has won awards from the Association of Graphic Artists, Print Magazine, The Art Directors Club and the Smithtown Township arts Council. His work has appeared in Print Magazine, The Art Directors Club and Long Island Pulse Magazine. His paintings were featured in a platform installation presented by New York City’s Manhattan Transit Authority at the Bronx Zoo/Pelham Parkway Station. 

Solo exhibitions include Sanctuary Spaces and Chase Manhattan Bank in New York City; Mills Pond House, H.T.A.L. Gallery, and B.J. Spoke Galleries on Long Island; and The Painted Bride in Philadelphia. Group exhibitions include VRT Gallery, Chase Manhattan Bank and the American Institute for Creative Living in New York City; the Ripe Art Gallery, Art League of Long Island, and the Mills Pond House on Long Island. 

Kevin is the subject of Kevin Larkin: The Genuine Article, a monograph by Peter Josyph, and the essays Josyph and Larkin X-Men Of Art by Raymond Todd. Since 2002, Mr. Larkin has been a member of B.J. Spoke Gallery in Huntington, NY where he serves as the gallery’s vice president. 

As a found member of Victory Repertory Theater, he has worked as an actor, director and production manager. Mr. Larkin has also had many years of set design experience both at Theater East Repertory and Victory Repertory Theatre.

Kevin received his BFA from the School of Visual Arts in 1977. He has taught painting at the McBurney YMCA in Manhattan, The Huntington Art League, The Art League of Long Island, The Smithtown Township Arts Council, Oldfield Middle School, Mill Neck School for the Deaf and the Suffolk County Bosces III Gifted-Talented Institute. He has been a guest lecturer at Nassau Community College.

Oil Painting for Beginners with Joan Stevens – Saturday

Oil Painting for Beginners with Joan Stevens – Saturday

Oil Painting for Beginners with Joan Stevens

6 Weeks: Saturdays, October 19, 26, November 2, 9, 16, 23 • 9 – 11 am
$180M/$215NM

 

This class will start with the very basics of oil painting –  drawing techniques, designing your composition, preparing your canvas or surface, and mixing colors. Joan will familiarize students with what supplies to use, different surfaces (pros and cons), the color wheel and color mixing.
Each week, Joan will demo on a subject and students will work on a painting related to the demo. Joan is a fun and relaxed teacher who gives lots of individual help in an environment of creativity and support.

Materials list below.


 

Materials list

You can get all of these supplies at Dick Blick Artist Supplies (Located in Carle Place)

PAINTS:
Cadmium yellow lemon
Yellow ochre
Alizarin crimson
Cadmium red
Ultramarine blue
Burnt Sienna
Titanium white (large tube)

BRUSHES: Princeton catalyst: 2, 4, 6 Bright; 4,6 Filbert
Turpenoid and a glass jar with a coil on the bottom for brush cleaning
Painting Panels by Dick Blick Artist Supplies (Located in Carle Place): 8×10 or 9×12
OTHER: Grey paper palette pad (Blick brand has a color wheel on the inside cover) or glass palette 
Rags or paper towels

Joan Stevens Bio: Born in Brooklyn, Joan moved to Long Island in her teens. She always had a love of drawing and painting, She works in oils but also sketches in charcoal and pencil. Joan graduated from St. John’s University with a degree in Fine Art and from there went to FIT to earn a degree in illustration. She has studied with Robert Baxter, Charles Pasqualina, Howard Rose, Kim English and Peggi Kroll Roberts. Always returning to her love of figure drawing she can still be found taking life drawing classes in her home town of Long Beach.
She has had many jobs in the world of art including illustration, art director, photo stylist, muralist, window dresser, and face painter. Her company, Through the Looking Glass, designs and installs store windows and decorates for events at restaurants and parties.
Joan has exhibited her work in group and solo shows throughout Long Island. Venues include The National Art League of Douglaston, Art League of Long Island, Elderfield Preserve, Adelphi University, Le Bon Amis Gallery,  Martha Clara Vineyard, and iFly Trapeze. She has been commissioned for portraits and landscapes and has donated many pieces to raise money for various charities. She teaches oil painting and drawing at Garden City High school. Joan paints pleine aire whenever possible and is constantly inspired by the beauty of Long Island.
You can see more of Joan’s work on her website.

Beginning Oil Painting FALL 2019 w/Joan Stevens
Phone Number
Face & Figure – September 2-October 1

Face & Figure – September 2-October 1

Face & Figure – September 2-October 1

Deadline: Friday, August 11

CALL FOR ENTRIES Call for entries Art Guild invites all artists, 18 years and older (high school students ages 14-18 years may enter in the student category), to submit artworks for consideration for “Face & Figure” a Juried Competition and Exhibition. 

Criteria All styles from abstract to realism are welcome. All works must be original. The selection committee’s decision is final. Works to be included in this exhibition must be available from August 28 – October 1, 2017.

MEDIUMS Including but not limited to acrylic, oil, watercolor, pastel, mixed media, collage, encaustic, etching/prints, or sculpture with pedestal. (NO PHOTOGRAPHY, NO COPIES, REPRODUCTIONS OR GICLEES.)

JUROR Diana DeSantis is a portrait painter who has studied with David Leffel and Harvey Dinnerstein. She is a master pastelist at the International Assoc. of Pastel Societies; a signature member of Pastel Society of America; a fellow of American Artist Professional League and a member of the Portrait Society of America. Her work has been published in American Artist, Artist Magazine, The Pastel Journal. Her work has been shown at the Nassau County Museum of Art; Heckscher Museum; National Arts Club, Manhattan; Salmagundi Club; and Pastel Society exhibits in France, Italy and Russia.

ENTRY FEE  Registration is required! (See below.) Register below and pay your entry fee with your cc via paypal or email us your images (with your name, title of piece, etc), download and fill out this form and mail with your check.

ENTRIES Digital submissions of up to three (3) images via email to artshow@TheArtGuild.org or uploaded to our website, should be  between 1 and 3MB each, and between 2,000 and 4,000 pixels on their longest side. Please name your ACTUAL IMAGE FILES as follows:
artist’s lastname_firstname_entrynumber_title.jpg

(ex: smith_john_1_beachsunset.jpg).  
Do not use the # or other symbols in the file name.
If you email the images, please include your name, contact information and the title, medium, value, and size in your email.

Works previously exhibited at The Art Guild Gallery will not be considered. Contact us at 516-304-5797 or info@TheArtGuild.org with any questions regarding uploading or emailing your images.

SIZE And Framing Size, with frame, must not exceed 36” on the longest side. Work should be cleanly matted and/or framed (if appropriate), wired securely for hanging, with the wire attached via screw eyes or D-rings to the frame, not the backboard. (Gallery wraps are acceptable.) No saw tooth hangers, no tape or string on the back. Work must be labeled with the title (if any), artist’s name, phone number, and email address.  The Art Guild reserves the right to turn away any artwork that does not comply.

FINALISTS The Selection Committee will review all entries and notify each artist as to the acceptance of the submitted work. The Art Guild has the right, in its sole discretion, to choose which eligible entries will be accepted to be exhibited. All decisions are final. Artists whose work has been selected will be notified after August 16.

Delivery of ARTWORK Selected artwork, (ready for display), is to be delivered on the dates indicated below. Please provide a typed bio or artist statement, printed on one side of an 8.5 x 11 sheet of white paper.

AWARDS 1st Place $300 • 2nd Place $200 • 3rd Place $100 • Honorable Mention certificates and Student Award/s (if applicable) will also be awarded.

SALES Artwork may be sold directly by the artist with a suggested donation of 20% of the selling price from the artist to The Art Guild. Note, however, that sales may not be made at the exhibition. All work must remain on view for the duration of the exhibit.

LIABILITY & INSURANCE The Liability Waiver on the entry form must be signed by the artist submitting images for consideration. It is the responsibility of the participating artist to insure or self-insure any work submitted for inclusion in this exhibit.

Questions Email artshow@TheArtGuild.org. Please put “Face & Figure” in the subject line. 

CALENDAR

• FrIday, August 11: Application & images must be received.
• AFTER Wednesday, August 16: Acceptance/Rejection notification

DROP OFF 
Entries must be delivered to The Art Guild, 200 Port Washington Blvd, Manhasset, NY 11030, at these times.
• Sunday, August 27: 3:00 – 5:00 pm
• Monday, August 28: 5:00 – 7:00 pm

Exhibit
• Saturday, September 2 – Sunday, October 1
Gallery open Saturdays & Sundays 1:00 – 5:00 pm & by appointment 

Artist’s Reception & Awards Ceremony
• Friday, September 8 : 6:00 – 8:00 pm
   

Pick-Up
• Sunday, October 1:
3:00 – 5:00 pm (Exhibit Closes)     
• Monday, October 2: 5:00 – 7:00 pm   

Workshop : Watercolor with Joyce Hicks June 22-25, 2017

Workshop : Watercolor with Joyce Hicks June 22-25, 2017

 Watercolor with Joyce Hicks June 22-25, 2017, 9:30am – 4:30 pm

$550 Members • $580 Non-members

We are DELIGHTED that Joyce Hicks will be visiting us in June of 2017! Joyce Hicks is from Texas and teaches workshops all over the country. She is the author of Painting Beautiful Watercolors Landscapes and was featured in the April 2011 issue of Watercolor Artist.

In this workshop the emphasis is on techniques and strategies for transforming ordinary scenes into extraordinary ones with watercolor; scenes that reach out and connect with viewers. She teaches simple, easy to learn methods that appeal to beginners as well as seasoned artists looking for renewed inspiration and insights into new ways of thinking. You learn from clear explanations about the reasoning behind artistic decisions and visually from step by step demonstrations. You learn to distill and process scenes from inspiration to finished work of art becoming more comfortable with the medium in the process. Once technical aspects of watercolor have been mastered you too will begin to paint from that sacred place that resides within each of us. Joyce brings her passion and love for teaching to inspire and motivate in a fun, fast-paced workshop.
Following are a few of the topics covered in the workshop…

  • atmospheric perspective in the landscape
  • simplifying and streamlining scenes
  • working toward personal style by developing a visual language
  • steps for building strong compositions
  • painting “relationships” instead of “things”
  • seven important design principles for creating exciting paintings
  • working with photographs, sketch books and color studies
  • planning strategies that will allow you to paint spontaneously and with confidence
  • daily lectures and demonstrations
  • lots of one-on-one instruction
  • Something for every level

Joyce Hicks HeadShotJoyce Hicks HeadShotJoyce Hicks’ artist statement: “I’ve always been able to see places and things in an idealistic way, but it wasn’t until I discovered painting that I was able to express and interpret this personal view. My art is not always a true rendition of what is actually there but how I wish it could be. If the old white homestead is a bit neglected, then I will just capture it in sunlight to discover its real beauty. If there is only one withered rose on the old trellis then why not one hundred in full bloom?

Frequent travel allows me to see and define what my heart is drawn to. Not in the grand or extraordinary but in simple unassuming beauty. Painting gives me the opportunity to unite visual images with a montage of personal memories stored over a life time. In an attempt to translate my feelings for a subject I use interesting brush strokes, strong contrasts, sunlight and shadow in colors both soft and bold. These elements combine in a personal way providing a visual invitation to tempt others into my world.

My purpose is to uplift the human spirit and my hope is that my paintings will inspire others to join me as I continue my artistic journey. I enjoy entering competitions, teaching workshops and presenting painting demonstrations. I’m a member of numerous societies including Signature Member Status in the American Watercolor Society and past President of the Central Texas Watercolor Society.

You may cancel 8 weeks before the workshop for a full refund.

For pictures from the workshop, see our Facebook page