Drawing a Still Life with Barbara Silbert

Drawing a Still Life with Barbara Silbert

Barbara Silbert, still life, pencil, charcoal, art lesson, art at home, TAG at home  

Drawing a Still Life 
with Barbara Silbert

1. SET UP

Set up your objects on a tablecloth, and find another cloth to prop up behind it & tape to a wall or a large board.

2. SHADING

Find the tallest item first and mark the top and bottom of it, then the others. 

Draw a line down the middle of each item, noting if they have an angle or are straight. (see which red lines are straight and which are angled) 

Then draw the curves on each side of the red line, making sure the curves on the bowl are equidistant from the center red line; the curves of the pears may be a bit different, or non-symmetrical and one side may be fatter than the other. 

Look at the flattish ovals that form the top, bottom, and plate of the bowl. The oval of the plate drops behind the bowl & you just see the front of the plate. There’s a smaller oval at the very bottom of bowl.

3. SHADING

Using a 6B sharpened pencil, hold it on the flat side and shade the darkest part of the bowl & pears, using more pressure to get it darker. Then do the same with the mid-tones, and leave the paper white for the lightest tones, or highlights.

4. TABLECLOTH

Draw fold lines on the angles you see, then shade between them.

Next week we will use colored pencils to work on the same still life.

Happy Drawing, Barbara 

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About Barbara Silbert:

  Barbara Silbert’s work has been acknowledged with more than 50 awards in various venues. She has taught Pastel Portraiture at the Nassau County Museum of Art and is presently teaching at The Art Guild and Great Neck’s school of Community Education at Cumberland. Silbert has taught adults, children, teens and seniors locally for the past 15 years. 

“Passing along what I have learned gives me the greatest pleasure of all.”

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BROWSing for Realistic Eyebrows Rob Silverman

BROWSing for Realistic Eyebrows Rob Silverman

eyebrow lesson, eyebrow, portrait, portraiture, rob silverman  

BROWsing for Realistic Eyebrows 
with Rob Silverman

Eyebrows are not a flat solid dark mark, like painted-on eyebrow makeup

1. BROW RIDGE

Eyebrows are slightly lighter at the upper portion of the brow ridge and darker in the lower, shaded part of the brow ridge.

2. OUTER BROW

Eyebrows lighten as the hairs thin out approaching the outer edges of the brow ridge.

3. SHAPE

Overall shape is not straight across the brow ridge but is more of a checkmark shape.

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About Rob Silverman:

Rob Silverman’s innovative techniques have been featured in American Artist Workshop Magazine and The Art of the Portrait, the official publication of the Portrait Society of America. His work has appeared at Crosby Street Gallery and Spring Studio Gallery in Soho, the Art League of Long Island, Edward Hopper House, The Art Guild of Port Washington, The National Art League, the Lockwood-Mathews Museum, as well as the National Arts Club and Salmagundi Club.

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Bokeh Backgrounds with Katrina Benson

Bokeh Backgrounds with Katrina Benson

   pastel tip, TAG at home, pastels, bokeh background, bokeh, katrina benson   

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About Katrina Benson:

Katrina Benson is the Vice President of the Art Guild and an award-winning artist working primarily in colored pencil and watercolor. Her work gravitates toward realism, although she enjoys all forms of artistic expression and experimentation. Working in realism is an opportunity to explore easily overlooked nuances in the world around me. The process of looking deeply and interpreting with each stroke gives me a profound sense of connection and gratitude for the wonders of even the simplest of objects.”  Find out more about Katrina on her website www.kblfineart.com.

Katrina teaches Colored Pencil: Foundational Techniques

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Household Supply Pastel Substitutions

Household Supply Pastel Substitutions

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About Jill Velasco:

 Jill Velasco is an exhibiting Artist, Graphic Designer and Educator with a BFA in Graphic Design and an MS in Visual Arts Education.  For over ten years, Jill has taught fine art classes in both schools and studios throughout Long Island to both children and adults of all levels. In addition to teaching workshops, creating both digital and fine art for clients, she currently moderates and mentors colored pencil enthusiasts via social media for the publication Colored Pencil Magazine. Colored pencil, pastel and acrylic paint are the featured media in her portraits, botanical and wildlife art.  Jill is a proud member of the Colored Pencil Society of America, American Society of Botanical Artists, Westbury Arts Council and The Art Guild of Port Washington. 

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Painting Glass Tips from Ilene Silberstein

Painting Glass Tips from Ilene Silberstein

  

Painting Glass 
with Ilene Silberstein

During our Flower Power weekend in February, some of the floral still lifes were set up in glass vases. Many of the attendees had questions about how to paint glass.
Here’s a tip: put some flowers in a glass vase (they do not have to be fresh). You can go outside and grab a few stems of Forsythia and try painting  it with the following thoughts in mind:

HIGHLIGHT

  • Many people put many highlights in glass because they think see light reflected in small sparkles. 
    In reality there is only one highlight. You identify it. And that is what you paint.
  • Highlights are the symbol of a plane change.
  • They have a smudginess that moves across the surface. (It is glass after all)
  • The highlight must travel over the glass

WATER

  • The waterline can have a touch of light, but not as bright as the highlight
  • The waterline is subtle and does not go across the entire glass
  • Above the waterline is a touch lighter than below the waterline where there is water
  • Anything in the water has a soft edge

STEMS

  • Stems are split between the top and bottom waterline
  • Anything in the water has a soft edge

Did you try this tip? Share your work with us on Facebook @TheArtGuild or Instagram @artguildpw 

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About Ilene Silberstein:

   Ilene Silberstein is the Co-President of The Art Guild. Her work emphasizes energy created by shadows and light, and she is drawn to painting natural settings. She works in pastel, oil and mosaic and has studied with the late Anthony Palombo, Howard Rose, Christine LaFuente, Greg Kruetz, David Leffel and Robert A. Johnson. Her work can be viewed at IleneSilberstein.com

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