ONLINE From Urban Sketch to Finished Painting Workshop with Stacy Kamin, October 1-3

ONLINE From Urban Sketch to Finished Painting Workshop with Stacy Kamin, October 1-3

ONLINE From Urban Sketch to Finished Painting Workshop, with Stacy Kamin, New Date October 1-3, 2020

12pm – 3pm EST
$325 Members /$360 Non Members

In this unique workshop, Stacy will introduce students into the world of sketching on the streets. Her travels have taken her to the streets of the United States and Europe for years armed only with a sketchbook, drawing pen and travel watercolor kit to gather material as inspiration for studio paintings. Now she will give you all her secrets to traveling light and yet taking your art skills on the road. 

Students will learn how important creating sketches and studying the pictures are. It is ideal to have that personal connection with the subject or place that you are working from. In a perfect situation, I will do sketches on location plus take pictures  creating the connection with your subject .

Day 1: Learn how to plan the composition shapes & values, study the details and color. 

Stacy will guide the students through the process of creating sketches, value studies, color studies. Composition studies. With demos.

Day 2:

Students will create studies on their own and then Stacy will critique (students may watch or continue with their studies). Using photos and sketches from her trav

I will do a demo, using pictures and sketches, and creating studies to work from.

Day 3: 

A continuation of the previous day beginning with critique while students begin to paint.

With Stacy’s warm and generous nature, everyone—regardless of experience—will feel comfortable tackling this exciting subject matter.  

*There will be demonstrations and daily individual critiques; all levels are welcome

 

Materials List
Block of watercolor paper or mixed media paper
Sketch pad
Small watercolor set.  
Stacy uses French Ultramarine Blue, Sepia Brown, Burnt Umber, Yellow Ochre and Transparent Brown or Burnt Sienna.  ( Windsor and Newton if possible).
For color studies, you may use colored pencils or pastels if you prefer.
A variety of watercolor brushes.  Stacy uses Raphael Kolinsky brushes, but any synthetic watercolor brushes will do.
 
Micron or Staedler black pens in sizes 0.2, 0.3 and 0.5.  Have several in case of breakage.
A variety of pencils.  HB, 2B, 3B
Oil paints:
Titanium White
Cadmium Yellow
Cadmium Yellow Deep
Yellow Ochre
Alizarin Crimson
Ultramarine Blue
Raw Umber
Burnt Umber
Transparent Red Oxide
Ivory Black
Walnut or linseed oil to use as medium
A few brushes for oil painting
One or Two 5×7 canvases suitable for oil painting

Having grown up in the cosmopolitan city of Washington, D.C., Stacy Kamin has lived a life any aspiring artist would envy. Providence brought Stacy into the world with a mother who nurtured her interest in drawing and painting every step of the way. Noted artist and teacher, Jacqueline Kamin, indulged her child’s art supply caprices and enrolled her in children’s classes at the National Gallery at a very young age. Art was alive in this bright artistic spirit, and as Stacy herself says, “Creating images from pencils and paint was like magic to me. I knew early on that I had to be an artist.”

Stacy studied illustration and traditional animation at the Academy of Art University in San Francisco, earning a BA in 2000. After graduation, she interned with a small animation company long enough to realize that illustration was not her calling, although a fascination with capturing movement was. This she would explore through line and paint as a fine artist.

She joined her family in Los Angeles and there found a well-respected Chinese artist, Shuqiao Zhou, to mentor her privately for six years. Zhou’s teachers came from the great Russian lineage of Ilya Repin and Valentin Serov, and through this expressive tradition, imparted a love of paint that is still a hallmark of Stacy’s work.

Drawn to the dramatic effects of Rembrandt, Stacy sought out the instruction of two well-known masters of this knowledge—David A Leffel and Sherrie McGraw. She credits their influence for the startling light that she is able to achieve in her own work. “They introduced me to Abstract Realism, a way of painting so rich that I can’t imagine my education ever ending—I will be a student of this great tradition my entire life.”

This humility coupled with a selfless generosity led to a desire to teach. She presently teaches workshopsfor Bright Light Fine Art nationwide. Recently she taught a figure and still life painting workshop with David A Leffel and Sherrie McGraw at Scottsdale Artist School; in 2019 she conducted a portrait painting class in Noyer’s France; and locally she teaches private workshops in Seal Beach.

In her own words Stacy describes this life-long obsession this way: “I believe art is supposed to evoke emotions and feelings in human beings. When I see a great painting, it touches my soul. Even if I can’t describe what I feel in words, a work of artaffects me profoundly. The reason I never ceasestudying is because the magic of capturing life on a flat surface continues to intrigue me. I want my own work to provoke thoughts and emotions for viewers, so that they too can experience the beauty that captivates me still.”

For more info on Stacy and her work, please visit her website.

Become a member when you register for the workshop.

Use the pull down bar below to choose your payment.


Stacy Kamin Workshop Oct 2020




Sketch your Day with Stephanie Navon-Jacobson

Sketch your Day with Stephanie Navon-Jacobson

Sketch Your Day with Stephanie Navon-Jacobson

 

Use one of these drawing prompts to record something from your day:

Where did I go?

What did I see?

What did I wear?

What did I eat/drink?

What did I use/handle/touch?

What did I buy?

What’s new?

What’s old?

What did I throw out?

What’s the same as usual (a routing or repetitive event??

What’s different than usual (a unique event)?

What’s a random thing that happened?

One this day, what will be a memory?

_______________________

About Stephanie Navon Jacobson:

Stephanie Navon Jacobson, Art Guild, Art Guild teacher, Art Guild instructor  Stephanie Navon-Jacobson As an artist, I am always observing the world around me.Whether floral, landscape, animal, or figure, abstract or realistic, my images always go back to nature. I am first and foremost a printmaker, although I work in other mediums, too. I am a printmaker who paints, rather than a painter who prints.

I was originally attracted to printmaking in college. I loved the studio community aspect as well as the various techniques. I like to experiment with various techniques. The possibilities seem endless. I also like the element of surprise each time you pull a print.

It is so satisfying to work with people who are new to printmaking or to teach experienced artists a new technique and watch their enthusiasm as they ‘get bit by the printmaking bug.’ Printmaking is such a versatile medium. It can stand alone or be incorporated with other mediums such as oil or watercolor. I encourage my students to add printmaking to their artistic arsenal and incorporate it with their other artistic endeavors.


TAG at Home

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Blind Contour with Marc Isaacs

Blind Contour with Marc Isaacs

Blind Contour Drawing

with Marc Isaacs

 

Blind contour drawing is the best friend to an artist and it often comes before contour drawing, but not necessarily. It should be repeated daily even by the experienced hand as it is great practice.

 If you have been introduced to contour drawing previously then you have half an understanding, now for the other half…

You may not look at the paper on which you draw and you may draw over and over on the same paper with overlapping being perfectly ok. 

The goal is an exercise, not a finished image. The pencil is your barbell. The only reason to keep the practice papers is to observe progress. The jump can be surprising.

Here we go:

  1. We need an objector model, a pencil and paper and a large paper plate. Poke a hole in the paper plate center and slide the pencil through until it reaches almost to the top of the pencil, near the eraser area. Now the pencil has a hat. 
  2. Look at one side of the object to start, we can see the whole object later. Place the tip of the pencil on the paper. Be sure you cannot see the surface where the mark-making takes place.
  3.  Imagine your eye and the point of the pencil to be in the same spot. Trace the edge of the model as if by an imaginary laser pointer without lifting the pencil. 

It may help if you verbally describe each bit as you go. Saying things like I move the tip downward to a step and I am moving my pencil over it away from the main body, down a little, and back in towards the body, continuing downward … the more descriptive the better as it will slow you down to training speed.

Eventually, you will go silent altogether. The other key point is to remember that although you are some distance away from the object you will guide the pencil as if actually touching it. A fun challenge is to skip the paper plate and honor yourself by not looking at the paper. Toss away the eraser as you won’t need it at all.

 With practice, the eye-hand coordination will grow beyond expectation.

_______________________

About Marc Isaacs:

Marc Isaacs, Art Guild   Marc Isaacs is an award-winning Long Island artist and teacher, with a degree in Art Education and a Masters in Fine Arts. His work is in collections in the US, Taiwan and Japan and periodically in the Metropolitan Museum in New York City as well as Huntington’s Heckscher Museum.  Whether teaching drawing, clay or paint in two dimensions or three, he has a unique teaching philosophy which he calls “solving art.” Students are taught to create links between the dimensions and develop art skills which they can carry across education. He teaches students to work with conventional materials as well as tools and found objects in order to enhance their tactile and environmental awareness. He currently teaches for the Art Guild, YMCA, Friends Academy, and the North Shore school district.

TAG at Home

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H2O: Water Exhibit and Competition, April 5-26, 2020

H2O: Water
April 5-26, 2020
ONLINE Reception: Sunday, April 5, 3pm

Water, water all around – to drink or to swim in, from the bottom of the ocean to a river in the mountains. All styles from abstract to realism are welcome.

A link to the online reception has been provided to artists, members and our mailing list.

An online gallery and videos will be available on our website after the presentation for those who missed it.

EXHIBIT

 DROP OFF  Entries must be delivered to The Art Guild,
200 Port Washington Blvd, Manhasset, NY 11030, at these times.
• SUNDAY, March 29: 3:00 – 5:00 pm
• MONDAY, March 30: 1:00 – 7:00 pm

ONLINE EXHIBIT
• Sunday, April 5, 2020

ONLINE Artist’s Reception & Awards Ceremony
• Saturday, April 5 at 3pm

PICK UP (TBD)
• Sunday, April 26: 3:00 – 5:00 pm (Exhibit Closes)
• Monday, April 27: 1:00 – 7:00 pm

Works not picked up within eight weeks of the final day of the exhibit will become property of The Art Guild. 

 

Be Happy: Art That Makes You Smile, ONLINE Juried Competition and Exhibition May 2 – 31, 2020

Be Happy: Art That Makes You Smile, ONLINE Juried Competition and Exhibition May 2 – 31, 2020

Be Happy: Art That Makes You Smile, Online Juried Competition and Exhibition
May 2-31, 2020
Online Reception: Sunday, May 3 at 3pm

Click here to view our online gallery

“Be Happy” an Online Juried Competition and Exhibition. Show us what you are grateful for, inspires you, lifts your soul, and makes you smile.
This virtual juried competition and exhibition will be judged by members, with artists being awarded The Art Guild Members’ People’s Choice Awards (values below).

CRITERIA All styles from abstract to realism are welcome. All works must be original, and have been created in the last five years. References used in the creation of the submitted work must be the artist’s own, or copyright-released for use in this work. The curating committee’s decision is final.

MEDIUMS Including but not limited to acrylic, oil, watercolor, photography, digital art, pastel, mixed media, collage, encaustic, etching/prints, or sculpture. (NO MASTER COPIES)

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface.
For tips on how to best photograph your art work, please click here for a tutorial by TAG member Steve Silberstein.

JUROR: MEMBERS OF THE ART GUILD WILL CHOOSE THE WINNERS

ENTRY FEE(S)  Registration is required and non-refundable. 

  • Members: $20 (1-2 pieces) or $30 (an additional piece).
  • Non-members: $30 (1-2 pieces) or $40 (an additional piece)
  • Student members: $10 (1-2 pieces) or $20 (an additional piece)
  • No more than 3 works per artist

FINALISTS The Selection Committee will review all entries and notify each artist as to the acceptance of the submitted work. The Art Guild has the right, in its sole discretion, to choose which eligible entries will be accepted to be exhibited. All decisions are final. Artists whose work has been selected will be notified after April 20 either by email or here on the website.

AWARDS 1st Place $300 • 2nd Place $200 • 3rd Place $100.

LIABILITY & INSURANCE The Liability Waiver on the entry form must be signed by the artist submitting images for consideration. It is the responsibility of the participating artist to insure or self-insure any work submitted for inclusion in this exhibit.

AWARDS

1st Place $300 • 2nd Place $200 • 3rd Place $100

EMAIL YOUR ENTRY

Email your images to artshow@TheArtGuild.org with ALL contact information including your name, telephone number, address, email and the title, medium, value and size in your email. We will invoice you for payment. Submission will not be included in curating without payment. Download the form here.

CALENDAR & IMPORTANT DATES

CALENDAR

DEADLINE: Monday, APRIL 15 Application & images must be received.
ACCEPTANCE/REJECTION NOTIFICATION: After APRIL 20

ONLINE EXHIBIT
• May 2-31, 2020

ONLINE, VITUAL  Artist’s Reception & Awards Ceremony
• Sunday, May 3 at 3pm

QUESTIONS & TROUBLESHOOTING

QUESTIONS Call 516-304-5797 or email artshow@TheArtGuild.org with “BE HAPPY” in the subject line. 

If you have problems with the uploader, please email your images to artshow@TheArtGuild.org  – with ALL contact information, image titles and mediums. We will invoice you for payment. Submission will not be included in curating without payment. Download the form here.

Emailed images must include your name, contact information and the title, medium, value, and size in your email.

Please be aware that the digital images you send should look as good as they possibly can. These will be the images that will be displayed in our online gallery. Try to photograph your image in natural light, that the image is straight and that there is no glare on glass or varnished surface.

SELLING YOUR ARTWORK

Artwork may be sold directly by the artist with a suggested donation of 20% of the selling price from the artist to The Art Guild. Note, however, that sales may not be made at the exhibition. All work must remain on view for the duration of the exhibit.

Congratulations to the artists listed below!
Your name and the piece(s) accepted are listed.

Linda Abrams, Laughing Out Loud and Young Peruvian
Aqsa Ansari*, Movement
Douglas Barnaby, The Candy Shopper
Jim Barrett, Sweet Pea
Heidi Block, Loving the Leaves
Anne Barash Breitstein, Happy Tails and Glorious Spring
Renee Bundi, Clive
Elizabeth Caputo, My Neon Forest
Caryn Coville, Violet Blooms
Aleta Crawford, Viewing Art and Canard d’en Haut
Kathy  D’Amato-Smith, Flowers in Coffee Can
Eliseea Faur*, Lost In Imagination
Anjali Gauld*, A Perfect Moment
Katherine Hagen*, A Cause For Celebration
Heather Heckel, MooseStache
Susan Herbst, Sweetheart of The Rodeo and Feliz Casa de Peligro
Susan Hicks, Brave New World
Shelley Holtzman, “I Told You to Clean Up Your Room!” and Spotted in the Garden
Annette Kasle, Romanian Folk Dancers
Marceil Kazickas, Day Dreamer and Peaceful Solitude
Joan Laufer, Brotherly Love
Sydney Lipner, Graduation
Baruch May, Gioia
Meagan Meehan, Bon Appetit in the Fun House
Emily Milgrim*, At the Market

Deborah Miller, Buon Appetito
Brooke Murphy, Dressed As Someone Else
Stephanie Navon-Jacobson, Summer Cocktails and Fancy Free Peony
Stephanie Peterson, Blue
Sophia Pirone*, Cheerful and Lucky and Silly Dad Through My Young Eyes
Alice Riordan, On The Boat and Bryce Canyon Cowboy
Olivia Robson*, Euphonius and A Sweet Song
TJ Roszko*, YinYang of Society
Jane Scal, Danielle Kicking Waves
Jose Seligson, I See You
Ilene Silberstein, Elderfield’s Gate
Steve Silberstein, Happy Drummer and Sea Princess Happiness
Barbara Silbert, The Laughing Cavalier and In From the Snow
Susan Kozodoy Silkowitz, Subway Serenade and Man With A Dog
Lynn Sirow, “Get Well” Flowers
James Slezak, Moroccan Girls Play and Asian Bloom
Barbara Stein, Daffodils and Azaleas
Joan Stevens, Essentials
Elisa Triffleman, The Rockets Red Glare
Kay Vickers, Vivace
Ella Yang*, Serendipity
Theodora Zavala, Orange Glow and Rusty’s Day Out

* Student