Academic Figure Drawing & Painting with Leeanna Chipana

Academic Figure Drawing & Painting with Leeanna Chipana

Academic Figure Drawing & Painting (Long Pose) with Leeanna Chipana
11 Weeks • Fridays • Sept 7, 14, 21, 28, Oct 5, 19, Nov 2, 9, 16, 30, Dec 14
2:30 – 5:30pm
$535 M/$570 NM

Deposits being taken. (No class Oct. 12, Oct. 26, Nov, 23 and Dec. 7.)

In this course, students will first work with the model in order to practice gesture drawing. We will have short poses starting with one minute to 5 minutes, ten minute and then 20 minute poses. Then students will work on a longer 4-session pose.
Students will be given step by step instructions on how to draw the figure first starting with the block in and incorporating the gesture, poetry, anatomy and structural understanding of the nude. Leeanna will discuss anatomy each session and handouts will be given out.
Students will first draw the figure before going on to painting.

Includes model fee.
Materials list will be provided.


Leeanna Chipana began her art studies at the Stevenson Academy of Fine Arts in Oyster Bay, NY in 2004 where she studied under painter and illustrator Attila Hejja. While working as his personal assistant Leeanna studied figure painting with Mr. Hejja. After Mr. Hejja’s sudden death in the Summer of 2007, Leeanna decided to devote her life to pursuing her own art studies more rigorously and dedicate herself to teaching traditional painting and drawing. She started by attending the New York Art Students League where she studied figure painting for two years with artist Nelson Shanks. She went on to continue her studies under full scholarship with Robert Armetta of the Long Island Academy of Fine Art at the Atelier Armetta program located in Glen Cove, NY. She attended the Water Street Atelier where she was enrolled in a full-time program dedicated to classical drawing and painting under artist Jacob Collins. Her work ranges from landscapes to still-life and portraits from life.

Leeanna continued her training at the Grand Central Atelier in New York in their full-time core program – the Water Street Atelier with Jacob Collins. She was a recipient of the John F. and Anna Lee Stacey Grant, a Hudson River Fellow and was awarded a scholarship to attend the New York Academy of Art. She teaches on Long Island’s North Shore.

2018 Nassau County High School Student Juried Exhibit: Nov 3-25

2018 Nassau County High School Student Juried Exhibit: Nov 3-25

2018 Nassau County High School Student Juried Exhibit
at The Art Guild at Elderfields 
November 3 – November 25

Artists’ Reception and Award Ceremony
Sunday, November 4, 3-5 PM
Gallery and Reception: Free and open to the public

CALL FOR ENTRIES: The Art Guild invites all Nassau County High School Students to submit digital images of their 2D or 3D artworks for consideration to its “2018 Nassau County High School Student Juried Art Competition & Exhibition” which will be on view at The Art Guild’s home, Elderfields Historic Preserve.

CRITERIA: All styles from abstract to realism are welcome. Student’s 2D or 3D work must be original and done “by hand” (no mechanical reproductions or giclees) and created within the last two years. The selection committee’s decision is final. Works to be included in this exhibition must be available from October 29 – November 25, 2018. No exceptions. 

MEDIUMS: Including but not limited to acrylic, oil, watercolor, pastel, mixed media, digital art, collage, encaustic, etching/prints or sculpture with pedestal. (NO COPIES, PHOTOGRAPHY, REPRODUCTIONS OR GICLEES.)

SIZE: Maximum size 30 x 30 inches including frame.

JUROR: Stephanie Navon-Jacobson is an artist and educator who came to teaching after working as a graphic designer. She joined the faculty at St John’s University 2001. In addition, she teaches at the Art League of Long Island and Great Neck Adult Program.

ENTRY FEE: $25.00 for up to TWO entries per student.
Each student must fill out a separate form. No combining of fees or entries.

ENTRIES: Submission of images of student’s original 2D or 3D artwork created within the last two years should be sent Apply in one of these ways:
• Fill out the online form below, upload images and pay with a credit card via PayPal
OR
• Email images to ArtShow@theartguild.org, print form, and mail with a check to:
The Art Guild
200 Port Washington Blvd.
MANHASSET, NY 11030

All entries MUST be submitted as digital files in JPG format, between 1 and 3 MB each, with 2,000 to 4,000 pixels on longest side. Label digital images as follows: artist’s lastname_firstname_entrynumber_title.jpg. (example: smith_john_1_beachsunset.jpg).

SUBMISSION DEADLINE: October 12

TEACHERS: We are happy to work with you! If you want to submit a group of students and have your district pay their submission fees, please give us a call (516-304-5797) or email us (info@theartguild.org). We look forward to working with you!

ACCEPTANCE NOTIFICATION: The Art Guild Selection Committee will review all entries and notify each artist as to the acceptance of submitted work by October 17, 2018. The Art Guild has the right, in its sole discretion, to choose which eligible entries will be accepted to be exhibited. All decisions are final.

FRAMING:  Artwork must be framed unless gallery wrapped. Mat boards must be clean. All work must be securely wired for hanging with the wire attached via screw eyes or D-rings to the frame. ABSOLUTELY NO sawtooth hangers, duct tape, or glued on wires. Label back of work with artist’s name and title of piece. Please contact The Art Guild with ANY questions or concerns. 

DROP OFF: Accepted entries must be hand delivered to The Art Guild at these times
October 28, 3-5 pm
October 29, 5-7 pm
All Artwork MUST be suitably framed and wired for hanging (see Framing, above). 

ARTISTS’ RECEPTION & AWARDS CEREMONY: Sunday, November 4, 3:00 – 5:00 pm. Please invite family and friends! If you can’t make it to the reception, the gallery is open November 3 – 25, on Saturdays and Sundays from 1-5 pm and by appointment.

FORM: Please fill out your information and upload your images below. If you have a problem with the form or prefer to send a check, click here for prospectus and registration form, and email your images to artshow@theartguild.org. If you have further questions or concerns, please call 516-304-5797.

Teachers: Please let us know if you want to submit a group of students and/or have the school pay for their entries. We are happy to work with you.

Sponsored by Blick Art Materials & PM Pediatrics

  

 

Thank you to our generous beverage sponsor Arizona Iced Tea 

 

 

 

SUBMISSIONS CLOSED. THANK YOU.
ONLINE Painting with Colored Pencils Workshop: “White on White” with Cynthia Knox CPSA – March 19-21, 2021

ONLINE Painting with Colored Pencils Workshop: “White on White” with Cynthia Knox CPSA – March 19-21, 2021

ONLINE Painting with Colored Pencils: White on White,
Fine Art Workshop with Cynthia Knox, CPSA
Three Day Workshop: March 19-21, 2021, 9am-4pm
$460 M/$495 NM

All white is NOT the same! Cynthia will guide you through the nuances of white with each item in this still life – from the cream of the background to the pinks and blues in the peonies and cup.

Discover the difference between drawing and painting with colored pencils in this three-day colored pencil workshop.  Cynthia Knox will guide you step by step through the process of creating this stunning still life (photo reference shown) and will demonstrate her signature style of painting with this dry medium.  A variety of tips and techniques will be taught that will enable each artist to render the subtleties of the varying tones of “white,” the green leaves, and juicy strawberries, as well as textures and surfaces seen in this composition. 

In addition to group and individual instruction, Cynthia will provide high-quality instructional materials that include a glossy tutorial booklet, reference photo, her popular “Cheat Sheet” and the actual surface with a light tracing of the entire still life to minimize actual drawing time and focus on color rendering.  Join Cynthia in creating a unique masterpiece that friends and family will be certain to ask, “THAT’s colored pencil?!”

Cynthia Knox, CPSA, is a colored pencil and graphite artist who lives in New York with her family.  Her artwork has received numerous awards in national and international juried exhibitions, and she has published 13 art instructional books, with a new book to be released in the Fall of 2018.  Publishers include Walter Foster Publishing (Quartos), Ann Kullberg Publishing, Strathmore Artists, and Viking Woodcrafts.  Cynthia teaches art workshops to individuals and large groups throughout the United States, internationally and online with Craftsy.com.  She is represented by LaBelle Enterprises for her workshops with Bob LaBelle as the primary contact: boblabelle@sbcglobal.net.

Cynthia’s artwork, resume, and workshops can be viewed on her website at www.cynthiaknox.com, and she is on Facebook and Instagram.

A complete materials list will be downloadable by September 2020.

WORKSHOPS:  Cancellations by the student more than 90 days: full refund. Under 90 days: $50 non-refundable registration fee is included in the workshop tuition.  Deposit is non-refundable within 14 days of the start of the workshop.

Colored Pencil Workshop w/Knox 2021
Phone Number
The Still Life & Floral in Oil with Robert Johnson – July 13-15, 2018

The Still Life & Floral in Oil with Robert Johnson – July 13-15, 2018

The Still Life & Floral in Oil with Robert Johnson
A Three-Day Workshop • July 13-15, 2018
$470M/$500NM

A rare opportunity to take a workshop with Robert Johnson in New York! 

What makes a painting compelling and memorable? What imparts enduring beauty to a painting? What are the time tested principles underlying the creation of a successful painting? The answers to these persistent questions will be explored in depth in this still life and floral workshop. These enduring fundamental principles taught will be equally applicable to other genres of painting. 
The workshop will include a demonstration which will illustrate and discuss the principles underlying a successful still life arrangement, the design of the painting in the beginning stage, and effectively and artistically carrying the painting forward to its conclusion.  The importance of effective and descriptive brush strokes and creating and preserving fresh and compelling paint quality will be emphasized. As the demonstration progresses students will be able to observe the importance of the observation and depiction of relative values and edges and the importance of the preservation of the initial design while working.
Students will receive individual critiques and assistance as their  paintings progress.
Some of the topics covered in the workshop, among others,  will be:
-How one can identify, select and use effective color.
-The importance of having a compelling underlying design and preserving it throughout the painting.
-The critical necessity of understanding and using values for artistic purposes.
-The understanding of the importance of edges in the visual world of painting and how to use them effectively.
-The importance of the creation of the illusion of depth and solid form and how to do it with paint.
-How to use selective detail to create the illusion finished masses in the eyes of the viewer.
-How to recognize, create and preserve the beauty of fresh oil paint on the canvas.
While this will be a painting and not a drawing workshop the instructor will discuss the importance of effective drawing and a solid foundation for a compelling painting.  The instructor will make recommendations for books and materials to move the student’s drawing skills forward, and will also use some of his own finished drawings to illustrate the concepts discussed.
All levels welcome.


Bio: Robert Johnson was born in Hopewell, VA, into a family that included a mother who loved to paint and his older brother Ben, who became a worldwide respected art conservator and connoisseur as well as an accomplished painter. Robert remembers that as a child he watched his brother painting for hours – “seeing the magic of three dimensional form, recognizable objects, and the illusion of space emerging from a flat canvas fascinated me then and has never ceased to excite and amaze me-even today.”

A love of athletics took him to Duke University on a football scholarship, and later an interest in law led him to Duke Law School. After graduation his life took an unusual turn as he went to live in Europe where he spent two years in a small German village traveling extensively, seeing the best art in Europe and drawing and painting on his own. His brother was a knowledgeable and caring mentor. When Robert asked him what he should do to become a real artist, Ben advised him to “learn to draw and compare your work only to that of the masters.” Robert feels that “drawing is the foundation of all we are trying to accomplish as artists. When our drawing skills improve, the quality of our paintings mysteriously take jumps forward.” 

Upon his return to the US he began his serious studies at the Art Student’s League of New York painting with David Leffel; drawing with Robert Beverly Hale and Michael Burban; and learning sculpture with Barney Hodes. He later had the privilege of painting and studying in the studio of Hungarian-American master Lajos Markos.

Since becoming a full time [painter in 1987 Robert has won first place national juried awards in The Artists Magazine and Salmagundi Club (NY) and numerous other awards – including five awards from the Oil Painters of America, and the American Art Collector Magazine’s  Award of Excellence. He has had twenty one-man shows in private galleries throughout the US. He is the author of On Becoming a Painter (Sunflower Press, 2001) in which he explores his experiences in becoming an artist and his thoughts on the fundamentals of the painting process.

His work has also been featured in the Best of Flower Painting II (North Light Books) and The Simple Secret to Better Painting (North Light Books, 2003). He is featured in Learning from The Masters by Cindy Salaski (North Light Books, 2014). His work has been featured in numerous magazines including American Art Collector, The Artist Magazine, Southwest Art, American Artist, and Art of the West. 

He is represented by Trailside Gallery (Scottsdale, AZ, and Jackson Hole, WY), Sage Creek Gallery (Santa Fe, NM), Whistle Pik Gallery (Fredericksburg, Texas), and Brazier Gallery (Richmond, VA) and Anderson Gallery (Saint Simons Islands, GA). 

He teaches painting workshops throughout the US and Canada and has produced seven instructional videos. 

For more information on Robert, visit his website robertjohnsonart.com.


Best of The Art Guild 2017-2018

Best of The Art Guild 2017-2018

Best of The Art Guild 2017-2018
July 21 – August 25

The art has been picked up from our very successful Members Showcase and we realized – Oh, no! The walls are bare!  – and we HATE bare walls!

Award winners of The Art Guild’s exhibitions from September 2017-June 2018 are invited to be a part of a special exhibit: The Best of The Art Guild, which will be on view from July 21 through August 26.

Please bring a piece of your artwork on any of the following days:
• July 9, 11 or 12, 9 am – 3 pm
• July 13 – 15, 9:30 am – 4:30 pm
• July 16 – 20, 9 am – 3 pm
The work may be new (it won’t count as “previously exhibited at The Art Guild” for future exhibits) or may have been shown at The Art Guild in the past. Artwork should be no bigger than 36” in any direction.


Good afternoon everyone, 

We regret to tell you that we are unable to hold the reception for The Best of The Art Guild on Sunday, August 26. As you know, parking is a premium here at Elderfields and we were unable to secure a parking waiver for the boulevard. The gallery will be open from 1-5pm. We apologize for the change in plans and hope that things will work out better next year.
 
Pick up for “Best of” and drop off for “Wallflowers” will be from 3-5pm on Sunday, August 26, and 5-7 on Monday, Aug 27.